It was a quiet moment at the Pacific Ocean shoreline on the upper Big Sur coast. It would not last, of course, as the area is overrun by visitors during the warmer months. I go very early in the morning to beat the crowds, and I had a couple of good hours before the Monterey and Carmel tourists finished breakfast and drove down the coast. (If you want to see the Big Sur coast in relative solitude, try a winter weekday morning.)
Continue reading Shoreline Rocks, Offshore Islands
Last November we visited Chicago for a few days. This was mostly an urban adventure — walking around The Loop, going out to eat, visiting the Art Institute of Chicago, taking in performances of the Chicago Lyric Opera and the Chicago Symphony. But if a natural subject is to be found, I am going to photograph it!
One afternoon we took a long walk through the “Magnificent Mile” section of the city, eventually passing beyond the tall downtown buildings and coming to a… beach! Beaches don’t seem to be particularly popular places in Chicago in November, for good reason. But we wandered out toward the water’s edge, where I was able to photograph this panorama of of the water and a fascinating cloud deck.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Looking at this scene, you would probably never guess where I was when I photographed it. It seems like a quiet, isolated place along the ocean shore. Truth be told, I was walking along the top of the wall around the historic city of Dubrovnik, Croatia very close to sunset. While it was fairly quiet there, it most certainly was not isolated!
I’m a fan of long views of the empty or nearly-empty ocean. I’m not quite certain why that is, though the ocean represents a sort of infinite unknown frontier for most of us. There’s something “out there” that we are unlikely to experience, a place of mystery. Here it is enhanced by the soft light and haze of the summer Adriatic as this boat passes by.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.
The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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