I confess to having photographed this scene quite a few times. I live close enough to Big Sur that I can drive down for a morning of photography and be home for a late lunch. This spot, where the Little Sur River flows across Little Sur Beach and into the Pacific Ocean, has always intrigued me. I stop and at least take a look almost every time I am down there.
Continue reading Little Sur River and Beach
I intentionally framed this view to exclude everything except the rocky coastline and the wild Pacific Ocean surf. The Pacific Coast Highway (US1) runs along the coastal bluffs just above those far formations, but below these bluffs the ocean and the land do constant battle, with the ocean inevitably winning as it erodes and washes away the land.
When I look at sea stacks like these I am reminded that the water’s edge was once further west, and what are now off-shore outcroppings were once part of the mainland. These peninsulas and sea stacks were left standing far out in the water as the land around them disappeared.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Way back in June I met up with my friends Franka Gabler and David Hoffman to photograph the upper Big Sur area of the California coast. They were there to see an exhibit of photographs by John Sexton and Anne Larsen, so I did the 90 minute drive down to Big Sur to meet them. After some confusion about who was where — and no cell service to sort it out — I finally figured out that they were on the bluffs above this area where Soberanes Creek enters the Pacific Ocean.
This is a particularly rugged section of the Big Sur coast. While it doesn’t feature the high cliffs that make other areas essentially inaccessible, here there are rugged rocky headlands and many sea stacks, especially in the shallow bay between the Soberanes Creek and Soberanes Point.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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After a period of travel (Portugal, Spain, Belgium, NYC this time) it is always great to get back to photographing the natural world here in California. This week I heard that a couple of friends were in the Carmel area, less than an hour-and-a-half away, so we decided to meet up for some morning photography along the Big Sur coast. There’s no cell service where we were going, so we agreed to some coordinates on Google maps and set an early arrival time. I showed up, but couldn’t find them, so I made some photographs while waiting…
…including this one of the surf, morning light, and thin fog. As I photographed I noticed a couple of figures moving out onto the headland at the far right. I don’t usually include people in my landscape photography, but I’m not against it either, so I changed the framing a bit to incorporate them. It was only later in the evening, at home and working on photographs at my computer, that I zoomed in on the figures and realized that they are Franka and Dave, the friends I was searching for! (We did eventually connect, by the way.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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