I confess to having photographed this scene quite a few times. I live close enough to Big Sur that I can drive down for a morning of photography and be home for a late lunch. This spot, where the Little Sur River flows across Little Sur Beach and into the Pacific Ocean, has always intrigued me. I stop and at least take a look almost every time I am down there.
Continue reading Little Sur River and Beach
Cliff, Surf, and Incoming Storm. © Copyright 2022 G Dan Mitchell.
The clouds from an incoming winter storm fill the sky beyond Pacific Ocean surf and a coastal cliff.
Knowing that a sequence of Pacific storms was on its way, and that this might cut into opportunities for photography for a while, I headed over the hill to the nearest part of the Pacific coast, the section north of Santa Cruz. This is quite familiar territory for me now — I have been going there for decades. While the big surf was expected, the atmospheric conditions were unusual, with thick coastal haze and high clouds from the storm starting to mute the light and shift its colors.
I often note that even in very familiar locations I can still find new perspectives. I’ve stopped and wandered at this beach more times than I can remember, but this is the first time I’ve been to this particular overlook where the small stream enters the ocean at the base of a cliff below coastal bluffs.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Mouth of the LIttle Sur. © Copyright 2022 G Dan Mitchell.
Sun breaks through morning fog along the Big Sur coast at the Little Sur River on a spring morning.
Try as I may, I cannot pass this spot without at least a brief stop. The hill (a future sea stack?) sits at the terminus of the Little Sur River, where it takes a meandering route across the beach before emptying into the Pacific Ocean. Backed by the rugged cliffs of the Big Sur coast, it is a remarkable little scene, especially on a day like this when I found myself at the edge of the fog bank, and light came and went as the fog oscillated back and forth. Beams of light traversed the face of the distant faces and raced across the beach.
If you follow my posts you know that I live close enough to the Pacific Coast to go there and photograph for the morning, and that I’ve been going there for decades. The coast is as beautiful as always, especially when I arrive early enough to beat the tourist traffic, but it is showing some rough edges these days. The extent of recent wildfires is concerning, and areas still suffer from washouts that occurred during flooding. Given that last fact, it is ironic that drought is also affecting the landscape, and places that should be in the middle of their intensely green spring growth are already turning brown.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.
We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.
Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.
(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Flickr | Facebook | Email
Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.