“Big Sur Coast Near Hurricane Point” — Late spring morning on the Big Sur Coast.
This is a bit of an odd post for this site. While updating older photographs and posts I was unable to locate this one. So I’m sort of semi/maybe/kind of reposting it. The photograph comes from almost two decades ago on one of my many visits to the Big Sur Coastline of California. This visit was on a late-spring day when fog was clearing from coastal bluffs and the surf was active.
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.
In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.
The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.
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Coastal cliffs, beach and winter surf near Rocky Point, Big Sur Coast.
In an earlier post describing another photograph from this recent visit to the Big Sur coast I mentioned that it included virtually all of the features found in “typical”many landscape photograph from this location, with the point arguably being, “what more could I ask for?”. The truth about this visit was a bit more complicated. It was, indeed, a wonderful morning on the coast — but it also was not exactly easy photography. There were objective challenges posed by the recent heavy rains and the closures and damage they brought. But the light was also a challenge, especially when the haze became thick.
However, that same haze did thin from time to time, transforming dull and flat light into something soft and lovely — directional sunlight muted by passing through high clouds and thin fog. I spent a bit of time at the location of this photograph, and during much of it the fog was thick enough to choke off that light. But for a moment or two the fog shifted and thinned and there was enough light to create shadows and open up the scene a bit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Foggy hills, a grove of tall trees, and a meadow above the Big Sur coast.
During a break in California’s string of atmospheric river storms I managed to make a quick trip to the upper Big Sur coast this week. It is quite a scene there right now with numerous flooded areas, downed trees, washouts, slides, and closed roadways. This also means, of course, that the usual crowds are absent, so it was a fine time to go, even if some places I like to visit were off limits. (State parks were closed, and the lower half of the route was completely shut down.)
I stopped at this location, a spot where I have photographed for years, though this time I chose to make a photograph that focuses on something other than the obvious subject at this location. (That “obvious subject” may be just barely visible if you know where to look.) Often when I photograph in this spot I try to avoid including this lovely grove of big old trees and the meadow at its base, but they became the main subject in this photograph.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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