The northwest Scotland landscape is spectacular in so many ways — the highlands mountains of course, but also the coast, and the lower elevation valleys and rivers. It is relatively “empty,” in the sense that you are often out of sight of signs of civilization, aside from the single-track road you might be driving. But empty as it is, it is not wilderness, and there are plenty of little hamlets and isolated homes and lodgings.
Continue reading Rural Stone Buildings at Loch Stack
The last few days of our drive around northwest Scotland followed an indirect route. After more or less tracing the North Coast 500 route from Skye toward Durness, our plans had us making a longish detour to the historic lodge at Altnaharra. This meant leaving the NC500 and heading south into the highlands on less-traveled roads. I made this photograph along the detour late in the day.
Continue reading Windblown Trees at Loch Stack
As we neared the end of our weeklong visit to Skye and the north coast of Scotland we spent a couple of nights at the old lodge at Altnaharra. My understanding is that decades ago this was a place where people from cities came to stay and to fish. It is a sprawling building, with large common rooms downstairs, a dining room, a small bar, and many guest rooms. At one time it was reportedly a luxurious place, at least by the rural standards of its isolated location. (To be honest, today it is a shadow of that historic lodge, but it still carries a resonance of that earlier time.)
Continue reading Stone Building, Loch Stack
Headlands, Surf, and Fog. © Copyright 2023 G Dan Mitchell.
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.
This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even with though I want to evoke that soft atmosphere, it is hard to get the right balance of detail where it is needed. I tried again this past week, and decided to interpret the subject in a bit of a different manner.
A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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