“Stone Building, Loch Stack” — An old stone building on the shore of Loch Stack in the Scottish highlands.
As we neared the end of our weeklong visit to Skye and the north coast of Scotland we spent a couple of nights at the old lodge at Altnaharra. My understanding is that decades ago this was a place where people from cities came to stay and to fish. It is a sprawling building, with large common rooms downstairs, a dining room, a small bar, and many guest rooms. At one time it was reportedly a luxurious place, at least by the rural standards of its isolated location. (To be honest, today it is a shadow of that historic lodge, but it still carries a resonance of that earlier time.)
Headlands and coastal mountains obscured by winter fog along the Big Sur Coast.
This is a scene that I have tried to photograph many times. When I stop to make a photograph here, it always seems like it should be easy… but it inevitably ends up being very challenging if not impossible. The subject is quite a distance away, so it requires a very long focal length. However, the long focal length magnifies issues created by air movement across the great distance, and even with though I want to evoke that soft atmosphere, it is hard to get the right balance of detail where it is needed. I tried again this past week, and decided to interpret the subject in a bit of a different manner.
A challenge is that the hazy conditions that obscure and diffuse the subject in the way I hoped for also tend to be both gray and of quite low contrast. To address that I decided on a brighter, high key rendition of the scene in which the colors are extremely subtle and the darkest tones are, objectively speaking, still at the brighter end of the scale. In a sense, the object here is to “suggest” more than to “record.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Coastal cliffs, beach and winter surf near Rocky Point, Big Sur Coast.
In an earlier post describing another photograph from this recent visit to the Big Sur coast I mentioned that it included virtually all of the features found in “typical”many landscape photograph from this location, with the point arguably being, “what more could I ask for?”. The truth about this visit was a bit more complicated. It was, indeed, a wonderful morning on the coast — but it also was not exactly easy photography. There were objective challenges posed by the recent heavy rains and the closures and damage they brought. But the light was also a challenge, especially when the haze became thick.
However, that same haze did thin from time to time, transforming dull and flat light into something soft and lovely — directional sunlight muted by passing through high clouds and thin fog. I spent a bit of time at the location of this photograph, and during much of it the fog was thick enough to choke off that light. But for a moment or two the fog shifted and thinned and there was enough light to create shadows and open up the scene a bit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Pacific Ocean surf crashes ashore on a foggy autumn morning along the Big Sur coast.
This photograph comes from my early November visit to the upper portions of California’s rugged Big Sur Coast, an area I can visit on short notice. On this visit I left home before dawn, photographed there a few hours, and returned home for a late lunch. Yeah, I’m trying to rub it in… These visits usually feature a combination of stops at familiar locations, where I look for new or different conditions, and the ongoing search for new locations and perspectives that I have not previously photographed.
This photograph mostly fits the first of those two categories. I made the photograph at a location where I frequently stop. The spot features a long view of a beautiful subject beyond rugged rocks and a small bay that is often full of agitated water. On this morning the surf was so wild that I decided to focus on it instead of the larger view. Every few moments a huge wave would crash against this outcropping sending water and spray up into the line of sunlight coming over the tops of the mountains to my left.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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