Somewhere in northwest Scotland, between Shieldag and Applecross, we paused on our drive through this broad valley. It was surprisingly cold — there was new snow on peaks on either side — and rain showers passed across the landscape. Nearby was what appeared to be an old road, now marked as a foot trail, heading off into the valley — the sort of trail that makes you aware that there are places more remote than where you stand.
Continue reading Trail, Highlands Valley
Last November we visited Chicago for a few days. This was mostly an urban adventure — walking around The Loop, going out to eat, visiting the Art Institute of Chicago, taking in performances of the Chicago Lyric Opera and the Chicago Symphony. But if a natural subject is to be found, I am going to photograph it!
One afternoon we took a long walk through the “Magnificent Mile” section of the city, eventually passing beyond the tall downtown buildings and coming to a… beach! Beaches don’t seem to be particularly popular places in Chicago in November, for good reason. But we wandered out toward the water’s edge, where I was able to photograph this panorama of of the water and a fascinating cloud deck.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This photograph seems to me to have the “classic Sierra Nevada” backcountry “range of light” look. It is from my favorite terrain, those places just below timberline where the trees are short and rocky meadows abound, and where there are open views of alpine peaks. Even better, I made this photograph very late in the day as the evening light was beginning to warm the colors of the landscape.
It was a joy to spend a few days in this backcountry location with friends back in July. We did a low-key loop just outside of Yosemite, to the east of the park. The highest peaks in the photograph sit right on the crest of the Sierra Nevada, and the park is on the other side of that ridge.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This ridge lies a bit east of the actual Sierra Nevada Crest, just outside of Yosemite National Park’s eastern boundary. The peaks along the park boundary are magnificent examples of the rugged, rocky landscape that characterizes the highest parts of the range. But the ridge in this photograph is different. Despite being over 11,000′ high, on its western side it looks like… a really big hill, with little of the rocky, rugged alpine quality that we expect from these high mountains.
After my early backcountry dinner (as usual, eaten from the bag into which I had poured the cup of boiling water), I headed out for my evening photography. As the last sunlight left the lake where we camped I looked to distant high points where that warm light still shone. Here I lined up the peak with its reflection in a small pond only steps from my campsite.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.