Tag Archives: gold

Gravel Road, Carrizo Plain

OK, I admit it. This is a bit of a “record shot,” considering how this place can look like the peak of the spring bloom in an exceptional year. However, it does give me a chance to write a bit about the location and how I came to be here on this day. I was doing the long drive from the SF Bay Area to Death Valley from the San Francisco Bay Area. Since I had decided to stop overnight in Ridgecrest before continuing to the valley, I had a bit of extra time on the first day’s drive. So I detoured through the Carrizo Plain. (Yes, I have driven that gravel single-track, though not on this visit.)

At its best, this place can be remarkably full of spring wildflowers. But my mid-March visit was too early for that, so I had to settle for a landscape just beginning to build toward that climax. In this photograph, the wildflower bloom is just getting started. In exchange, I had the place largely to myself, without the huge crowds that come later. While most who visit for the flowers think of this as a green and wildflower-colorful place, the truth is that most of the time it is quite dry and desertlike.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Gold

The wildflowers in California’s deserts and here in Death Valley National Park vary wildly from year to year depending on the amount of precipitation and its timing. There are always some flowers, but they are scarce when it is dry. Every so often the conditions shake out just right and the desert and mountains explode with color. It is hard to predict precisely when it will happen or to what degree. This year there was plenty of water, but the schedule was odd. When flowers bloomed way early (back in late 2023!) some thought that the spring color might be a bust — but that is not what seems to be happening.

I was surprised to find an extensive bloom of desert gold flowers stretching across upper Panamint Valley. I saw it when I arrived at the park, and days later it had grown stronger as I left. From what I saw — surprising blooms here and there and a lot of new green plants coming up — I won’t be surprised if this year’s bloom ultimately surpasses expectations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Submerged Autumn Leaves

A confession: Although these are “submerged autumn leaves,” I photographed them on New Year’s Day. We spent the day in the Central Valley with friends, celebrating the new year and photographing birds and landscape. The location is primarily wetlands terrain, but there are cottonwood trees all around, and their colorful leaves were everywhere.

I stopped here after someone told me that they had spotted a single bird of an interesting and rare sort in an easily accessible spot. I spoke to a fellow who told me the bird had gracioiusly posed on a branch for him for ten minutes before flying away. Of course, it was gone when I got there! As I left I crossed a little bridge right where the bird wasn’t. I looked down into the water and spotted these interesting leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspens, Peaks, and Evening Shadows II

Aspens, Peaks, and Evening Shadows II
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows II. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Seeing a photograph here with the Roman numeral “II” attached you may wonder if there is a version “I.” There is, of course, and the first of the pair was posted a few days ago. In this case, the only significant difference is that this is a “landscape” orientation view of the scene and the other version used the “portrait” orientation. When the subject allows it I often photograph in both orientations — partly for practical reasons and partly because they both seem to work!

The scene is a type that I like a lot, at the elevation where the forests we expect in the high country meet high desert sagebrush country. The aspen trees seem to like both, and they are frequently a bridge between the two types of terrain. Here it is late in the afternoon (or perhaps early in the evening?) and long shadows are starting to stretch across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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