I photographed this great egret back in late February during one of my last seasonal visits to a place where I photograph migratory birds every winter. This bird, like so many egrets I see out there, was hunting on its own, moving methodically and slowly toward its prey. If you did not realize what the bird was doing you might not understand its behavior, but once you do the purpose of its focused attention becomes clear.
Continue reading Egret On The Hunt
What is the popular image of Death Valley National Park? I’d say that it is some combination of the following: desert, sand dunes, arid, empty. There can be some truth to that though it is not quite so uniform. This photograph is an example — it is not empty and there are no sand dunes. Instead we see flowers stretching off into the far distance.
Continue reading Desert Gold Flowers, Panamint Range Mountains
Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.
The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
A day or two ago I thought that I was finished with the photographs from our late-February visit to Death Valley. But I decided to make another pass at the raw files from the trip, and I found a few more photographs that I think help fill out the story of this trip. (Update: Since I wrote that I have found even more!) The highlights — and my primary photographic targets — were the exceptional wildflower bloom and Lake Manly. Here’s another of the wildflower photographs, one which illustrates the extent of some of the larger fields of color.
If you visit this spot during most of the year you might not notice much vegetation at all. Aside from a few bushes, it would mainly give the appearance of a gentle gravel slope. But in February the desert gold plants were taking full advantage of the season’s above-normal rainfall, and some places like this one were more or less carpeted with colorful flowers.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.