It was a quiet moment at the Pacific Ocean shoreline on the upper Big Sur coast. It would not last, of course, as the area is overrun by visitors during the warmer months. I go very early in the morning to beat the crowds, and I had a couple of good hours before the Monterey and Carmel tourists finished breakfast and drove down the coast. (If you want to see the Big Sur coast in relative solitude, try a winter weekday morning.)
Continue reading Shoreline Rocks, Offshore Islands
As we neared the end of our weeklong visit to Skye and the north coast of Scotland we spent a couple of nights at the old lodge at Altnaharra. My understanding is that decades ago this was a place where people from cities came to stay and to fish. It is a sprawling building, with large common rooms downstairs, a dining room, a small bar, and many guest rooms. At one time it was reportedly a luxurious place, at least by the rural standards of its isolated location. (To be honest, today it is a shadow of that historic lodge, but it still carries a resonance of that earlier time.)
Continue reading Stone Building, Loch Stack
By now, those of you who follow my posts have figured out that I made quite a few photographs of Lake Manly on this partly cloudy morning. I hope you’ll forgive me, but the appearance of this lake is not an everyday event, and I wanted to take advantage of this opportunity. (Not only did I photograph it a lot on this trip, but I also photographed it two months earlier at the end of December.)
Continue reading Morning Reflections, Lake Manly Shoreline
A spectacular cloud deck floated above Death Valley on this winter morning. While the clouds were a bit too thick to let brilliant sunrise colors develop, they created a very dramatic sky and its reflection on the surface of Lake Manly. The photograph looks north across the lake from its salty southern shoreline.
In other photographs of this subject I have tried to to fill the frame with sky and reflecting water. In this case I decided to include some of the salt-crusted shoreline of the lake in the foreground, and I used a wide angle lens in order to include more of the scene, and especially the sky.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.