Tag Archives: shoreline

Panamint Sky

Panamint Sky
“Panamint Sky” — Morning winter sky above the Panamint Range and Lake Manly.

Lake Manly, the ephemeral lake that appears in Death Valley’s Badwater Basin in unusually wet seasons, is gradually shrinking once again. It was very large in early 2025, and again quite large early this year. It is starting to dry out and it will likely begone soon. For now though, it is still impressive, especially if you stand at its edge early in the morning, and doubly so when clouds fill the sky.

I chose black and white for this photograph of the lake because monochromegives me a great deal of interpretive freedom, in many way s more so than with color. As a starting point, black and white never can claim to be an accurate representation of the world of colors, and this frees us from notions that a photograph must always aspire to look like what we saw. In this case, monochrome allows me to draw attention to this remarkable winter desert sky.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Shoreline and Reflected Ridge

Shoreline and Reflected Ridge
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.

If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.

When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline and Trees, Morning

Shoreline and Trees, Morning
“Shoreline and Trees, Morning” — Warm morning backlight on trees along the shore of a subalpine Sierra Nevada lake.

This will be one of (but perhaps not quite the) last photographs I’ll share for now from my July backpack trip. A group of us went into the Eastern Sierra Nevada just outside of the northeast boundary of Yosemite National Park. sWe did a low-mileage four-day trip, which left me with plenty of morning and evening time for photography. But even with two mornings and two evenings in this particular spot I didn’t have all of the time that I could have used.

I have visited this area many times over the years, so I had some ideas about what I might photograph. This raised shoreline area, located between the lake and large meadow below it, was on my short list. I got distracted by other subjects on the first morning and missed the brief moment of ideal light when the shoreline is highlighted and the background remains in shadow. I wasn’t going to make that mistake again on the second morning, so I was there and ready when the light arrived.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees and Reflection

Trees and Reflection
“Trees and Reflection” — Trees in morning light are reflected in the surface of a subalpine Sierra Nevada lake.

There is a wonderful morning moment in the mountains when the sun finally rises above surrounding high ridges and the first direct light strikes trees and meadows and rocks. Not only is the warmth appreciated, but when the light strikes trees from behind it sets them off against the still-shaded mountain slopes.

Of course, you do have to get up early to see this. And I can attest to how difficult it can be to struggle out of a warm sleeping bag in the dark, dress in the cold, and leave that comfortable tent. But I guarantee that the results are almost always worth the effort.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.