Tag Archives: line

Argus Range Clouds

The typical assumption is that Death Valley and its surroundings are hot and dry. That is often the case — not much rain falls there in a typical year, and it can be unbearably hot. But the climate in and around the park is a lot more varied than many realize. I’ve been snowed on there several times, and not just in the mountains. I even recall seeing a few flakes one early April at Scotty’s Castle! This photograph — on a day with rain and snow in the mountains — comes from the last week of winter.

I made the photograph in Panamint Valley, on the west side of the Panamint Mountains, the tallest range in the park. Those mountains were at my back as I looked to the west. The high clouds marked the receding edge of a weather system that was producing rain and snow on the higher peaks. The fascinating band of “high fog” was forming over the edge of the snow-capped Argus Range in the wake of the front’s passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetland Pond and Trees, Dawn

I made this photograph in a quiet corner of a place where I often photograph in winter. Trees grow along a levee separating a small pond from a much larger body of water where migratory birds sometimes land. I had a brief window of sunrise light on this morning, as clouds from an arriving weather system moved overhead and on toward the east, darkening the sky except for a narrow strip above the distant Sierra Nevada.

I have photographed these trees before, though in quite different light. Birds often are found here, though not typically the larger geese and cranes. (By good luck, a line of geese passed along the trees as I made the exposure, but you might have to look for them.) More common birds are the various “little brown birds,” plus some raptors and the occasional owl.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Final Approach

Snow geese and Ross’s geese were my first interest years ago when I began paying serious attention to photographing birds. I had been tuned into California’s natural world for decades, but somehow I had missed the annual bird migrations, so “discovering” them was a thrill. Eventually the geese didn’t like the only thing worth photographing, and I no longer chase after them reflexively. But they still can be compelling — and there’s nothing quite like the sight and sound of thousands of them taking to the sky at once!

I photographed this trio on a late-December day when the numbers of geese were steadily increasing. There are more things to attend to when photographing these birds than you might think. Exposure can be tricky, as their brilliant white plumage can blow out in bright light or turn gray against the sky. Light needs to shine on them from the right direction or their features get lost in shadows. And, of course, you hope that the geese aren’t facing away from you! For this photograph I was in just the right spot as the birds turned toward me and into the breeze to land.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Consonance and Dissonance

Consonance and Dissonance
Structural elements at the High Line Park, Manhattan

Consonance and Dissonance. © Copyright 2023 G Dan Mitchell.

Structural elements at the High Line Park, Manhattan

Taking a cue from the music-related title of this photograph, I suspect you may have noticed that my photographs cover a wide range of subjects. When people ask me “what I photograph,” probably expecting a short answer like “landscapes” or “portraits” or “street,” there can be an awkward moment while I consider how to answer. I don’t photograph just one thing… any more than a composer would choose to write only, say, minuets. There is more than one thing to express, so more than one approach is necessary. If anything, my photographs are about… how I see the world photographically.

I won’t try to explain the entire “consonance and dissonance” connection here, except to point out that these terms have multiple meanings. One basic idea is that something is consonant in music if it “sounds nice” and “dissonant” if it doesn’t. But a more interesting idea relates to something that seems static and “settled” (consonance) versus something that seems restless and striving (dissonance). Taken one step further, the tension created by dissonance often propels us toward consonance… and consonance can resolve that tension.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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