On this sunny February day, we stopped briefly at a wetland area in California’s Central Valley, breaking up the long drive home from Death Valley National Park. We had actually departed the park one day earlier, stopping overnight and then continuing the next morning. Shortening the drive this way made it easier to get here before sunset. We found geese in a pond, and paused to make some photos before continuing on home.
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Surprisingly, for those of us who love winter, spring can evoke some of the same bittersweet feelings that autumn evokes. The season of interesting weather, dramatic skies, and migratory birds is passing. With that in mind I made one more visit to the Central Valley to see if the birds had departed. Some had — I saw no sandhill cranes at all. But I was treated to a stupendous dawn fly-out of geese.
I half expected that snow geese and Ross’s geese would have left already. In the past they were there at the beginning of the month but gone before the Ides of March. I arrived before sunrise and saw no geese at all, but a few minutes later I heard a few in the distance. I headed that way, and soon tremendous fly-outs began all over the surrounding wetlands. Thousands of geese took off into the colorful cloudy sky above the distant Sierra Nevada during the next half hour. And then they were gone.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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On our return trip from Death Valley in late February we took a short detour in California’s Central Valley to look for migratory geese. Their winter visit to the state is soon coming to an end, so I wanted to see them again this season. It was a quick stop, but we found our geese, and I made this photograph of a small flock of Ross’s geese descending toward a wetland pond.
when I first started photographing birds a couple of decades ago I had little idea what I was doing, but I did know that I wanted to photograph “snow geese.” (Ross’s geese aren’t snow geese, but they are very similar.) The photograph illustrates how much pictures of flocks of birds rely on luck. Note the two geese at lower right, positioned so that one does not obscure the view of the other’s head. Look at the positions of the two more distant geese behind the bird at lower left. And then note the the other four birds are also all positioned so that their heads are visible. You would almost think that they posed for me…
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Most of these migratory birds will likely have departed from their winter homes in Central California by the time you see this photograph. They arrive in the fall, overwinter, and then depart some time in early March. Back in the pandemic year of 2020 I visited one of the places where I photograph them about one week into March, and they were still there. I went back one week later, and they had all departed. The place seemed awfully lonely!
This group was part of a much larger flock that was in motion above wetland ponds — thousands of birds swirling around as they contemplated where they might land. The light was just right for this group — it came from the side and from down low, illuminating the birds’ undersides. (Often photos of birds overhead end up too dark against the bright sky.) I also like the fact that the five of them together demonstrate every phase of their wing flapping.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.