“About to Land” — Two geese landing at a Central Valley wetland pond.
On this sunny February day, we stopped briefly at a wetland area in California’s Central Valley, breaking up the long drive home from Death Valley National Park. We had actually departed the park one day earlier, stopping overnight and then continuing the next morning. Shortening the drive this way made it easier to get here before sunset. We found geese in a pond, and paused to make some photos before continuing on home.
“Two Snow Geese Landing” — Two snow geese in the final moments before landing in a Central Valley wetlands pond.
The larger migratory birds often are graceful or powerful in flight, individually or in flocks. But that tends to break down in some ways as they land. They approach the ground, slow to stalling speed, crane necks forward, extend feet downwards, orient their bodies more vertically… and sometimes look downright silly at the last moment. (An exception can be the angle-like uplifted winds of geese in descending groups.) This pair is just at that moment then they transition from flight to landing.
This is a challenging moment to photograph the birds, but knowing a few tings about their behavior can increase your odds. Like airplane pilots, they come around to land facing the wind. If you can position yourself upwind from their likely landing point you get bird faces instead of bird butts. Also, at the last moment they tend to appear in front of distracting backgrounds. Here a larger aperture can blur the background, and looking for backgrounds that don’t include things that you don’t want in your photo — automobiles, buildings, power lines, etc.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Cranes at Dusk” — The evening fly-in of lesser sandhill cranes at dusk.
We spent New Year’s Day with friends, after getting up early to greet the literal dawn of the new year. OK, it was kind of cloudy and we didn’t see the sun until later. But still, it was a great day and a fine group to share it with. We photographed birds and landscape, and we shared food and drink that each of us had brought for the occasion. The day culminated with the evening fly-in of sandhill cranes.
The sandhill cranes stay in nearby ponds overnight, and around dawn many of them get up and fly away for the day. Typically they return at dusk, when there’s barely enough light left for photography, and their characteristic cries mark the end of the day. This small group was cooperative enough to pass through a patch of beautiful, colorful twilight sky just before landing.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Stage Door” — The edge of a shadow falls across a stage door.
This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.
This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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