Tag Archives: landing

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

California’s brown pelicans are probably my favorite coastal birds, and I love to photograph them — from bluff tops which they pass as the coast along on Pacific winds, to the ocean as they skim just above the water, to places where they can be found resting between flights. These are large birds, with an almost prehistoric appearance, especially when a group of them floats by in a row, sometimes hardly moving at all. We spent a couple of days on the coast in mid-July, and on the last day as we headed home we passed a small, rocky island just of the shoreline. When we saw that it was covered with scores of these birds, so many that some had to land nearby instead of on the island, we grabbed our equipment and spent some time photographing them. I had tracked this pelican on its inbound flight. Most of them came from my right, passed the island, then turned to face into the wind before landing.

This photo also serves as a bit of a technical test, too. I made the photograph with my new Canon 5Ds R, using the EF 100-400mm f/4.5-f/5.6L IS II lens. To get a bit more “reach,” I added a 1.4x tele-extender, which made the longest focal length 560mm. Since this wasn’t possible on my previous camera (which could only autofocus at f/5.6, not the f/8 aperture produced by using the converter), I was interested to see how well this would work — would image quality be sharp enough and would the lens/extender combination focus quickly and accurately enough. In fact, it did work. Quite well, actually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
The Landing

The Landing. San Joaquin Valley, California. January 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A large flock of Ross’s geese lands following a mass take-off.

The day followed a familiar pattern, starting with a long, pre-dawn drive to a favorite location in the San Joaquin Valley, where we arrived in thick fog to meet friends. We began photographing before sunrise — though you would hardly know there was a sunrise in the thick fog — and continued to work the foggy landscape for several hours. A first pass through the area gave us a better idea of what we might see later. By late morning the light was becoming more flat, and we decided to take a side trip to a different spot, returning to where we had begun after lunch.

The locations and activities of the birds continued to evolve as the day wore on. By afternoon we had figured out where the many cranes and even more geese were congregating, and it was looking like a big group might turn up in a pasture where we often are able to photograph them. One more pass through the area brought a few of us to this pasture and, sure enough, a couple of very large flocks were beginning to assemble here. A couple of us settled in along the edge of this meadow, trying to find positions that would include an interesting backdrop of trees and the setting sun. As the geese moved, we moved, too, mostly backing up to the east as they moved the same direction. Periodically something would set them off and huge groups of thousands of them would take to the air at once, in a maelstrom of wings and calls. After circling for a few minutes, in groups that became more widely distributed, things would calm down and they would return to the pasture, picking some spot where hundreds would begin to land at once.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Landing

Landing
Landing

Landing. San Joaquin Valley, California. February 14 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A goose approaches a landing in a San Joaquin Valley wetlands pond at dusk

A goose (either Ross’s or snow goose) prepares to land in a San Joaquin Valley wetlands pond at dusk last winter. We frequently photograph winter migratory birds in California’s Central Valley, and we were at a location in the San Joaquin for the full day back in mid-February. It was an almost ideal day for winter photography in the Valley, with highlights including lots of birds (of course!), morning fog that cleared after the sun rose, a colorful sunset, and the dusk arrival of many thousands of birds.

I have worked with motion-blurred photographs of birds for some time now. While I also like to create sharply delineated photographs that show the details of these animals, I also like the more expressive quality of the blurred images, which also may evoke the motion of the birds in a different and effective way. As the light becomes very dim at and after dusk, rather than ending my shooting I got with the slower shutter speeds and start to play with motion. Here I tracked this goose as in came in for a landing, allowing it to blur a bit but not as much as the background water and birds that had already landed.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.