Thisq is another photograph from Lisbon’s Santo Amaro Chapel, a very old structure near the waterfront and almost beneath the April 25 Bridge (“Ponte 25 de Abril“). That is the one that looks very similar to San Francisco’s Golden Gate Bridge. After passing beneath the bridge’s north end, we walked a little further west, then climbed steps to this location. It is one of the better viewpoints of the bridge, with a wide plaza open to that view.
Continue reading Stairway, Santo Amaro Chapel
I have visited some remarkable cathedrals in Europe, and I obviously have seen stained glass windows. But I paid less attention to the light shining through them until we visited Sagrada Familia in Barcelona a few years ago. We entered late in the day as light streamed though that church’s remarkable windows, and the effect was simply astonishing. After that I began to notice similar, though subtler, effects in other big churches.
Continue reading Stained Glass Light
I have a somewhat embarrassing confession to make about this photograph. I know that I made it in a church in the Belgium town of Ghent… but I failed to record which church it was! In my (weak) defense, this is a town of many churches — I don’t think I’ve seen many others with so many steeples. And after a few weeks of visiting Various European cities it is possible that I was starting to suffer from an overdose of church architecture.
Continue reading Church Interior, Ghent
This beautiful church in Brussels, the Eglise de Notre-Dame Des Victoire, doesn’t seem to be on the tourist map. But we think it was well worth the visit. We walked there from our lodgings in the touristy old part of Brussels. Walking away from there changed our perspective on the city. It appeared that we may have been the only tourists at this church.
Entering the church it was rather dark. But once our eyes adjusted to the natural light, we noticed that sunlight was streaming in through stained glass windows along its east side . At the front of the church, the stained glass windows comprised most of the vertical surfaces, and this created a lovely, light-filled area.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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