“Stairway, Santo Amaro Chapel” — A stairway leads to a door at the Santo Amaro Chapel, Lisbon
This is another photograph from Lisbon’s Santo Amaro Chapel, a very old structure near the waterfront and almost beneath the April 25 Bridge (“Ponte 25 de Abril“). That is the one that looks very similar to San Francisco’s Golden Gate Bridge. After passing beneath the bridge’s north end, we walked a little further west, then climbed steps to this location. It is one of the better viewpoints of the bridge, with a wide plaza open to that view.
“View From A High Place” — Looking out at Death Valley and the Grapevine Mountains from a viewpoint in a high canyon.
Elsewhere in California on this early winter day the skies were cloudy and rain was in the air. But in Death Valley the skies were (partly) blue and the temperatures were comfortable. We had a little extra time between stops so we headed up to this popular little canyon late in the day. On the way back down we came across this place where the dark canyon opened in the bright valley.
There is a lot of “Death Valley stuff” in this photograph. The distant playa is just above sea level, and in places is covered by impressive sand dunes. The distant desert mountains tower thousands of feet above the lowlands. Because there is little to no vegetation on them, their geology is laid bare. The dark foreground walls are near the opening at the bottom of a grand desert wash.
“Big Pletzel” — A mosaic tile covered Paris bakery with a sign featuring “Big Pletzel.”
First, the title “Big Pletzl” comes from the sandwich board sign on the sidewalk in front of this Paris delicatessen. We were out for a long walk this past winter, and I grabbed the photograph as we passed the business. A few things caught my eye, including that sign. (Yes, I had to look up what a pletzel is.) It also has the generic outdoor tables – and there were people seated there even on this cold December day. But the main thing was the tile on the front walls.
Today we are accustomed to generic, corporate signs on businesses. Chain stores and fast food “restaurants” may be the most common offenders, but even individual businesses now try to copy that appearance. But I love places whose appearance is at least a bit novel and individual. Here it is the remarkable mosaic tile work on the outside walls, including both text and imagery.
“Achat de Chevaux” — A mosaic featuring the image of a red horse on an old Paris shop.
As usual, I made the photo while thinking of it purely as a visual object, and only later did I stop to wonder about what it meant and why it might be there. I’m still a little bit confused about it. Some poking around on the internet offered a couple of translations of the words. They are literally, as I understand it, “purchase of horse.” One writer suggests that it might mean that a former business purchased horses. A complicating factor is that at least one previous business here was a butcher shop.
As to the visual quality of the object, the brilliant red colors certainly got my attention, as did the form of the horse on its two hind legs. Even more, whoever made this attention-grabbing sign did so in a truly old school manner. It is a complex and fascinating mosaic, and the entire front and side of the building are also covered in more abstract mosaic tile designs.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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