I am often a bit uneasy about photographing street art, tags, and graffiti. In some cases it feels more like attention-getting vandalism than creative work. But there are exceptions in places where it seems to be mostly tolerated, and when the work seems like an interesting expression.
Continue reading Lisbon Graffiti #2
Here is one more photograph of Lisbon graffiti, this one from a wall next to a sidewalk in the lower Alfama neighborhood. The colors and patterns are so vivid that you might not even notice the doorway in the wall behind the paint. The colors of this street anrt are were perhaps the most intense that I recall seeing.
Continue reading Lisbon Graffiti #1
This is the second photograph that I have shared of the building on the right. Located in the Alsace town of Kaysersberg, it stands alongside the river that runs though the village. This building, with its colorful shutters and Christmas decorations attracted my attention first, but I also appreciated the contrast between it and the more rustic building to the left.
Kaysersberg is, like many other similar places in Alsace that we visited, a charming little town, especially during the holiday season when there are decorations everywhere and especially along the Main Street.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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As usual, I made the photo while thinking of it purely as a visual object, and only later did I stop to wonder about what it meant and why it might be there. I’m still a little bit confused about it. Some poking around on the internet offered a couple of translations of the words. They are literally, as I understand it, “purchase of horse.” One writer suggests that it might mean that a former business purchased horses. A complicating factor is that at least one previous business here was a butcher shop.
As to the visual quality of the object, the brilliant red colors certainly got my attention, as did the form of the horse on its two hind legs. Even more, whoever made this attention-grabbing sign did so in a truly old school manner. It is a complex and fascinating mosaic, and the entire front and side of the building are also covered in more abstract mosaic tile designs.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.