“Marché de Noël, Paris” — Crowds at the Paris Christmas Market in the Tuileries Garden.
Last year’s late-fall and early-winter travel that took us to Germany, France, and Spain. We were in Paris for a few days about a week into December, and holiday festivities were in full swing. Stores had their decorations up, some streets had overhead holiday lights, and the Christmas markets were open. We briefly walked through this one at the Tuileries Garden near the Louvre.
Although the German markets seem to be the most famous — or at least the best-known in the United States — Christmas markets are all over Europe. Here it Paris it is the “Marché de Noël.” The basic idea is similar everywhere we went, from Germany to Spain. Vendor booths are set up in a public place, often a town square. They sell seasonal items, gifts, and local food and drinks. Mulled wine is the popular drink — vin chaud in France and gluhwein in Germany.
“Ride the Tiger” — A woman taking a ride on a Paris carousel at night.
Last December we were out for a cold afternoon and evening walk in Paris, and on our way back towards our hotel we passed a carousel set up in a square near shops and other upscale amenities, apparently as part of holiday season events. I could not resist making a few photographs of the merry-go-round and its patrons.
Most of my night photographs are as sharply focused as the images I create in the daytime. But sometimes I like to take advantage of the low light levels and play with longer handheld exposures that incorporate motion blur. In cases like this one the blur better suggests the motion in the scene.
“Woman in Red Coat” — A woman in a red coat sits on steps outside a Paris building.
This is another of the “grab shots” that I often come away with when I’m doing street photography. Here things appear and disappear quickly, and it is often more a matter of grab-that-shot than careful and slow consideration of the subject. Here I simply spotted this women on the steps and wearing the striking red coat as we walked past.
It can sometimes be hard to articulate precisely what I see in a photograph that I make. Here, I think that the color of the woman’s red coat is pretty important, as it stands out against the cooler colors in the rest of the scene, especially the color blue. I also was attracted to the somewhat melancholy feeling of the woman sitting alone on the steps in front of the badly weathered doorway. Form is also important, and here the mirrored shapes of the planter boxes create a kind of background rhythm.
“Big Pletzel” — A mosaic tile covered Paris bakery with a sign featuring “Big Pletzel.”
First, the title “Big Pletzl” comes from the sandwich board sign on the sidewalk in front of this Paris delicatessen. We were out for a long walk this past winter, and I grabbed the photograph as we passed the business. A few things caught my eye, including that sign. (Yes, I had to look up what a pletzel is.) It also has the generic outdoor tables – and there were people seated there even on this cold December day. But the main thing was the tile on the front walls.
Today we are accustomed to generic, corporate signs on businesses. Chain stores and fast food “restaurants” may be the most common offenders, but even individual businesses now try to copy that appearance. But I love places whose appearance is at least a bit novel and individual. Here it is the remarkable mosaic tile work on the outside walls, including both text and imagery.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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