Tag Archives: tile

Bench, Wall With Fado Tiles

Bench, Wall With Fado Tiles
“Bench, Wall With Fado Tiles” — A bench on a slanted sidewalk and a wall with Fado tiles, Lisbon.

I love little off-kilter scenes like this one. In the center are two tile illustrations of the fado music tradition of Portugal. (The tiles were seen in an earlier post on this website.) They are aligned to perfect verticals and horizontals. But everything else tilts — the bench on the cobbled sidewalk, the pipe that frames the image, the wiring attached to the walls. A door at the left, barely intruding into the frame, is the only other thing that lines up.

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Fado Tiles, Lisbon

Fado Tiles, Lisbon
“Fado Tiles, Lisbon” — Fado tiles on a wall along a sidewalk in the Alfama neighborhood, Lisbon

I found these beautiful little tiles on a wall along a street in the Alfama neighborhood of Lisbon. The truth of the matter is that I made a photograph of the wall, only barely aware of the tiles, and then took a closer look at them while working on the larger image in post. They appear to have been created by the same artist/craftsperson, judging by the signature, and I think they are relatively contemporary.

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Alfama Rooftops

Alfama Rooftops
“Alfama Rooftops” — Looking down at the red-tiled roofs of the Alfama district, Lisbon.

Certain architectural features seem to characterize various cities. In Europe, from what I’ve seen, these include the materials available locally for construction, the types of roofs, and the color scheme. This view of the Alfama neighborhood of Lisbon is a case in point — with mostly white-walled buildings and red-tiled roofs.

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Lisbon Rooflines

Lisbon Rooflines
“Lisbon Rooflines” — A succession of rising rooftops against a cloudy sky, Lisbon.

On one level this photograph is about the forms and colors of the buildings in this Lisbon neighborhood. The color palette is more typical of Southern Europe — from here to Italy and beyond — with the earth tones and the red tile roofs. The angle relationships are compressed, in part because the buildings are so close to one another.

It is also about the “atmosphere” of the place — the light of this region seems to me to have a particular quality. On one hand it can be sharp edged, I suppose due to the southern location and the high position of the sun. But there can also be a softness to the atmosphere that isn’t like the harsh quality often seen in, for example, the American Southwest.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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