Certain architectural features seem to characterize various cities. In Europe, from what I’ve seen, these include the materials available locally for construction, the types of roofs, and the color scheme. This view of the Alfama neighborhood of Lisbon is a case in point — with mostly white-walled buildings and red-tiled roofs.
Continue reading Alfama Rooftops
While I like photographing flowers, I’m no expert on the plant world or flowers. In fact, I have a heck of a time keeping their names straight! It has always been this way. It has always been the case that I could recognize the appearance of a wildflower, down to the specific spot where I might find it, the week when it would typically bloom, and what else might grow nearby… yet be unable to recall its name. These hyacinth flowers intrigue me… but I didn’t know what they were called!
I did, however, recognize that they are not easy to photograph. Their shape creates challenges regarding depth of field, especially when I try to photograph individual blossoms. If finally occurred to me that, rather than trying to photograph separate flowers, I could photograph from a position directly a above the plant and capture the remarkable patterns produced by the mass of flowers radiating out from the central stem.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Wave, Horizon, and Clouds. © Copyright 2022 G Dan Mitchell.
A wave close to shore, the distant horizoon, and clouds from an approaching Pacific storm.
This peaceful looking scene may perhaps mislead just a bit — but not completely. I stood along the edge of a beach north of Santa Cruz to make this photograph, on a hazy, cloudy day when a Pacific weather from approached and the surf rose. I intentionally left out anything that would give a sense of scale here, so you are free to regard the height of the wave subjectively.
After decades of living close enough to the Pacific Coast to visit the shoreline regularly, sometimes I think that I may start to take it for granted. It happens. But inevitably I’ll look out toward that far horizon — whether from a high overlook or down near the water — and again ponder the immensity of the sea and the timelessness of these scenes. All of which seems like a fine thing to consider as we complete yet another loop around the sun.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Indeed, I made more than one photograph in the kitchen this week. Will this be a new stylistic direction in my photography? Stay tuned and find out! Like yesterday’s photograph, this subject was on the kitchen counter. I needed something to test out a new camera with a macro lenses, no tiny bugs were handy, so here we are.
As I pondered these two kitchen photographs it stuck me that the patterns, especially with all of the soft blur in the images, reminded me of some close-up photograph s I have made of grasses and similar plants.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.