Certain architectural features seem to characterize various cities. In Europe, from what I’ve seen, these include the materials available locally for construction, the types of roofs, and the color scheme. This view of the Alfama neighborhood of Lisbon is a case in point — with mostly white-walled buildings and red-tiled roofs.
Continue reading Alfama Rooftops
Nested Orange Bowls. © Copyright 2023 G Dan Mitchell.
Two nested orange ceramic bowls.
This is actually a “spring” season photograph — I’ll explain. Recently we took advantage of a break in the California storms to visit a large garden. It comes alive this time of year, and right about now various colorful bulbs are blooming. I’ll share some of those photographs soon, too. The bowls are actually large garden pots for plants that I spotted as we walked though a small shop on the way into the garden.
When Im visually “on” I start to see things like this everywhere. This subject appeals to my natural interest in forms, colors, and textures — something that I think underlies a lot of my photography, even when the apparent subject is the landscape, wildlife, or city subjects.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Clay and Grant, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.
People assemble in summer twilight at the corner of Clay and Grant Streets, San Francisco
This was a beautiful San Francisco afternoon and evening. I rendezvoused with some photographer friends in the late afternoon, and after a group dinner we headed out onto the San Francisco streets eventually winding our way into the Chinatown area around dusk. Fog was coming in, turning the ambient light a beautiful blue color, and street and business lights were coming on and producing contrasting warmer toned light.
In these situations photography is a combination of keeping my eyes open and responding intuitively and of watching for potential compositions and subjects and then waiting for the right characters to populate the scene. Certain places are more likely prospects: narrow streets with electrical light coming from both sides, storefronts, and corners. At the latter people often have to stop and wait for traffic to clear or to figure out where to go next, and they sometimes assemble into interesting compositions and stay there for more than an instant. Here, if I recall correctly, my first attraction to the scene was towards the glowing light in this corner market. I quickly noticed the line of people spread across the scene from left to right, and for an instant the man standing in light at the center of the frame looked up and somewhat toward the camera, and against a backdrop of mostly hidden faces his appearance jumped out at me.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
Exterior, One Maritime Plaza. San Francisco, California. August 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.
Exterior detail of the One Maritime Plaza building, San Francisco.
This photograph focuses on details of the exterior frame of Maritime Plaza Building, in the general area of the financial district and not far from the Embarcadero and San Francisco’s waterfront. I photographed in “interesting” light – the weather provided a combination of high clouds, lower clouds that were dropping sprinkles of rain, and incoming ocean fog. Oddly, even with tall these sources of atmospheric opacity, there was still some light. Some came through the clouds, while some came from nearby areas that were a bit more clear.
As I have been doing a bit more recently, I chose to shoot towards a corner of the building, allowing the darker side on the right to seem to recede a bit. Meanwhile, the strongest ambient light fell on the “front” of the building facing to the left. I chose a black and white rendition of this photograph partly because, frankly, there wasn’t much interesting color in this subject, but also because I felt that black and white abstracted the image a bit more.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.