“Bench, Wall With Fado Tiles” — A bench on a slanted sidewalk and a wall with Fado tiles, Lisbon.
I love little off-kilter scenes like this one. In the center are two tile illustrations of the fado music tradition of Portugal. (The tiles were seen in an earlier post on this website.) They are aligned to perfect verticals and horizontals. But everything else tilts — the bench on the cobbled sidewalk, the pipe that frames the image, the wiring attached to the walls. A door at the left, barely intruding into the frame, is the only other thing that lines up.
“Checking The Phone” — A woman sits on a stone bench and checks her phone at night, Madrid.
We were in Madrid this past December. Our previous visit was during the torrid month of August — and we vowed not to do that again! We alost expected that things would be calmer without crowds of summer tourists. But we discovered that Madrid goes crazy right before Christmas. Thousands of people crowd the streets, though this crowd has far fewer foreign tourists. And yet, I made this quiet photograph of a solitary person in a place that was directly adjacent to the hubbub.
We had been out on a walk and a visit to some interesting places to eat and drink earlier in the evening. If I recall correctly, we were now starting to loop back toward our hotel when we walked up this side street and I found this fascinating brick wall covered with posters and a tangle of wires. Perhaps the woman in the photograph had also sought refuge from the crowds on this quiet side street?
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Mono Lake, Mountains, Morning” — Early morning autumn light on Mono Lake and distant desert mountains.
Part of the challenge of photographing a familiar subject is finding a different perspective on it. This is especially true with “iconic” subjects that everyone has seen, and which we know by way of familiar views. If you think about any famous place you can probably visualize the scenes I’m thinking of — familiar views of familiar things. (I’m not against them. In fact, it is an interesting challenge to try to make those views different.) There are several familiar approaches to photographing Mono Lake. Yes, I’ve done them, too!
But this is not one of those familiar views. For one thing, the camera position here is not one that most people visiting the lake would think of or even know about. It is a pretty good distance from the lake — in fact the photograph was made with a very long lens. It is also elevated, up in mountains where sage meets aspens. I photographed in the early morning on a clear day, when the low morning sunlight was angling across the landscape from the right.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Bench and Mountains” — Morning light on a bench near the base of the eastern escarpment of the Sierra Nevada.
Most often as we watch the first sunlight arrive on the eastern face of the Sierra Nevada we are either somewhere out to the east, perhaps in Owens Valley, or actually up in one one of the valleys that cut into this side of the range. There are a few places that can offer a little different view, locations that are east of the escarpment but high enough to view the east side almost straight on from close distances.
I made this photograph from one of those locations, a long ridge that runs roughly parallel to the Sierra crest. The terrain here switches from high desert sage country to large groves of small aspens and then becomes more alpine. (You can see some of those small trees in the foreground here.) I made the photograph shortly after sunrise, when the low sun angle still cast. large shadows across the lower slopes of eastern escarpment.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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