“Stained Glass Light ” — Light from stained glass windows on columns, Cathedral of St. John the Divine, New York.
I have visited some remarkable cathedrals in Europe, and I obviously have seen stained glass windows. But I paid less attention to the light shining through them until we visited Sagrada Familia in Barcelona a few years ago. We entered late in the day as light streamed though that church’s remarkable windows, and the effect was simply astonishing. After that I began to notice similar, though subtler, effects in other big churches.
“Tables and Columns” — Tables set up between pillars under a portico, Santiago de Compostela, Spain.
On a cool May Day, these tables in the sunlight between stone columns along a narrow street in Santiago de Compostela were quite attractive. While the narrow streets serve, in part, to reduce the amount of hot sun on the passageway in the summertime, on this cloudy day a bit of sunshine between the arches seemed appealing.
For us, travel is an opportunity to stretch boundaries and step outside of the usual routines. At home, we’re more likely to just walk along our local streets without stopping, but here it seems like stopping is the point.
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“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.
I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.
I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.
“Detail, Duomo of Orvieto” — Detail of a twisting column from the facade of the Duomo of Orvieto, Italy.
As per the common pattern, the hilltop town of Orvieto Italy has a large “duomo” on a central square. As is also typical, the facade of this church is packed with remarkable visual features — statuary, columns and arches, and fascinating details like this twisting column. Much of it is high enough that it can only be seen at a distance, but this bit is right for eye-level viewing.
You can read about these places and look at pictures of them for years (as I, a late-in-life traveler, did) and not really understand the effect of their physical reality. In particular, if you imagine them in the times when they were first created you start to understand how astonishing and even magical they must have been (and still are). It is remarkable that those who produced a structure that depends so much on massive scale for its effect also had the energy to attend to such tiny details with so much precision.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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