“Boardwalk, Morning” — The winding boardwalk at Salt Creek in morning light, Death Valley.
We arrived at Salt Creek before sunrise, planning to walk down to the end of the boardwalk and photograph some further areas at dawn. It used to be that you could continue on from there and investigate other interesting terrain, but there is now no obvious way off the boardwalk, likely because the park service is trying to protect those areas. So we photographed from the boardwalk as the sun came up.
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.
I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.
I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.
Visitors with umbrellas walk through the Getty Center garden beneath winter trees on a foggy and rainy day.
This is – obviously – a black and white landscape orientation take on the scene in the garden at the Getty museum in Los Angeles that I posted earlier in a portrait orientation color version. The conditions were rainy and foggy – unusual, I presume, for the Getty – as several small groups of visitors carrying umbrellas wandered along the twisting and sometimes angular path through the garden below the main buildings. The light colored umbrellas are an interesting visual feature that you’ll always see when it rains at the Getty, as they loan them to visitors by the hundreds. I’m sure it is no accident that the color of the umbrellas blends well with the color of the facility.
These photos were more or less very quick shots. As I noticed the misty view of the garden the umbrella-carrying people quickly showed up on the path – much to my surprise since I figured that few people would be out there in this murky weather. Fortunately I had a zoom lens on the camera and was able to quickly frame both vertical and horizontal compositions and then shoot fairly quickly as the people passed through the scene and assembled themselves in interesting arrangements.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
When I’m out photographing I cart around the typical pile of stuff – the big, squarish bag of camera bodies and lenses and accessories, the tripod, the works. And when I photograph in popular places I make it a habit to offer to take photographs of folks with their P&S cameras. You know the scene – the family traveled hundreds or thousands of miles to get to some beautiful place, but one member of the family is missing from every photo since someone has to hold the camera. (The embarrassing thing is that sometimes I don’t understand how to operate these little cameras, but that is a story for another post.)
Put the two together and some surprising and odd conversations can ensue. Last Saturday I was in the Happy Isles area of Yosemite Valley looking for dogwood trees in bloom when I saw a mother about to snap a photo of (I presume) her daughter, so I asked if they would like me to use their camera to take a picture of the two of them together. I put down my bag and left the camera on the tripod and made the photograph. The woman inspected the photo, seemed to approve, then looked at me and my stuff and asked, “Hey, you aren’t Mr. Adams, are you?”
Sometimes it is so hard to avoid saying the wrong thing in reply, but I think I more or less succeeded… ;-)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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