Deserts offer few clues about the scale of the landscape. Unlike forest scenes, where trees often provide a frame of reference, plants often play a lesser role. Even when there are plants it can be unclear from a distance whether they are large trees or small shrubs. Here the inclusion of the human figure clarifies the scale of the grand Utah red rock landscape.
Continue reading Photographer, Canyon CountryRecently I have heard some photographers suggest that IBIS-equipped cameras have made tripods obsolete. IBIS is a fine thing, but that overstates the case.
Contemporary cameras incorporate remarkable advances in camera and lens image stabilization. Some newer cameras with IBIS (In-camera Image stabilization) claim to extend the useful range of shutter speeds for handheld photography by as much as seven stops.
IBIS can be very useful for photographers who shoot handheld. I do urban night street photography using a handheld, IBIS-equipped camera that supports high ISOs — and I can capture subjects that would have been just about impossible to photograph a few decades ago.
Continue reading IBIS Does Not Replace Your TripodSomeone has a birthday this week, so it seems appropriate to feature a photograph of, um, someone here. Photography is often a solitary activity — one person, a subject, a camera, how to see — and most of the time the two of us photograph alone. But every so often we get a chance to head out together on a trip that involves photography. We had such an occasion earlier this fall — and it has been too long! — when we did a weeklong trip that took us to the Eastern Sierra Nevada and then to Utah and a few nearby locations.
We started in the Sierra, where we headed into the eastern part of the range in search of fall color. Perhaps “search” is the wrong word here, as it is easy to locate! Instead of going to the “usual places” we wandered up some less-travelled roads, including the one that took us to this spot right beneath the eastern escarpment, a place with very few other people where the high desert and the beginnings of true mountain terrain intersect. We arrived on a brilliantly lit morning, with fall color everywhere, and a bit of early snow still on the peaks.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Photographer Charles (“Charlie”) Cramer at work in the High Sierra of the John Muir Wilderness Area. A group of us spent a week base-camped in a particularly scenic portion of this wilderness area, heading out each day to find and photograph the abundant and beautiful subjects present here – ranging from the intimate (wlldflowers) to the monumental (the peaks of the Sierra crest).
The pace and nature of the work in a place like this might surprise those who haven’t experienced it. Many years ago, when my orientation to the backcountry was via long pack trips on which I moved every day, I worried that I would become bored if I stayed in the same place for more than a night. After years of doing just that, I realize how completely wrong I was. We can easily find a week’s worth of things to investigate and photograph in such places, and at the end of each trip I invariably end up wishing I could stay longer!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.