“Sandstone Terrain and Mountains” — Morning haze and backlight obscures distant mountains and sandstone terrain, Arches National Park.
Arches National Park is red rock country, a landscape dominated by the colors of Southwest sandstone. Almost all of my photographs of the area are in color, for that obvious reason. It is not just the rocks themselves — the complementary greens of vegetation and the blue of the sky feature strongly, too. But this particular view, a veritable moonscape, seems to call for a monochrome interpretation.
Recently I have heard some photographers suggest that IBIS-equipped cameras have made tripods obsolete. IBIS is a fine thing, but that overstates the case.
“Photographer Patricia Mitchell” — Photographer Patricia Mitchell at work in early morning autumn light in the Eastern Sierra Nevada.
Contemporary cameras incorporate remarkable advances in camera and lens image stabilization. Some newer cameras with IBIS (In-camera Image stabilization) claim to extend the useful range of shutter speeds for handheld photography by as much as seven stops.
IBIS can be very useful for photographers who shoot handheld. I do urban night street photography using a handheld, IBIS-equipped camera that supports high ISOs — and I can capture subjects that would have been just about impossible to photograph a few decades ago.
A California valley during the “impossibly green” season.
To be perfectly honest, this is a bit of a “record shot” — a photograph made at least as much to record something as to have an aesthetic effect. The location is a park not far from where I live, a place where I have hiked and photographed for several decades. It is part of my “outdoors backyard,” a place where I almost feel a sense of ownership now. I’ve even made other photographs from almost this precise location, though in rather different (and more dramatic) conditions.
The photograph is also a record of a California phenomenon, what some have called the ‘impossibly green season” — that amazing annual eruption of grasses and other plants in a typically dry landscape. At a time when much of the country is deep in winter, many places in California turn more green than you can imagine.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A use trail passes through a wildflower-filled meadow in the John Muir Wilderness on a late summer evening
We became very familiar with this little section of unofficial “use trail” near our base camp for our recent sojourn into the John Muir Wilderness of the Sierra Nevada range. Our camp was relatively hidden among trees up on the top of a nearby moraine ridge, but these meadows became a second home to us for over a week. I first used this trail when I arrived on our first day, following behind the rest of the group who had arrived a bit earlier. Near the outlet stream of the lake seen in the distance in the photograph, I turned right and headed up along its shoreline, following this path. It was only after passing the lake and starting to climb that I began to wonder if I was now past our camp — and, yes, I had to backtrack.
There were many places worthy of exploration all around out camp. Some were further away — a higher open meadow, a rocky ridge, narrow meadows full of flowers. But the areas around “our” lake drew us back, and many of us visited them every day at some point. On this evening I set out to simply wander the meadow and see what I could find, and I decided that including the trail in the scene made a lot of sense. Also of note, the meadow was still wet and green and wildflowers were everywhere — even though it was the very end of the month of August, well past the time when the flowers typically die back and the meadow grass turns golden.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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