Tag Archives: use

Agave Plants

Agave Plants
Agave Plants

Agave Plants. Huntington Botanical Gardens, San Marino, California. November 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Agave plants, the Huntington botanical gardens

We spent the Thanksgiving Holiday in Southern California — and once we finished the Big Eating Day Celebration, we did other things. Well, OK, we ate more, too. Among those other things was a trip to the Huntington Library, etc. in San Marino, a place that we had not been to before. (The “etc.” above acknowledges the ridiculously long name of the place, a name the mentions galleries, library, and gardens. I wonder if people in the area perhaps just call it “The Huntington?”)

There was lots to see there. We started by focusing on art, both old and new — including an exhibit of photographs — and then moved on to lunch, followed by visits to a bunch of gardens: Chinese, Japanese, tropical, and desert. I wasn’t there primary for photography, but since I had a camera with me I did make a few photographs, including this close up of the beautiful leaves of this plant, whose form is almost always intriguing.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

About Tripods (Morning Musings 11/4/14)

Friends photographing in Utah's red rock landscape
Friends photographing in Utah’s red rock landscape

Morning Musings are back! Today I have a few general thoughts about tripods — not aimed at those who are already confirmed tripod users, but rather at those who find it hard to bother using them.

To start, let’s admit that one does not always need a tripod. For certain types of photography in which quick response is required and in which being too obviously a photographer can interfere with photographs, it is usually better to not use one. There are exceptions to every rule, but you are unlikely to want to use one for most street photography, for personal and family photography at home and on vacations, for certain kinds of portrait work, casual travel photography, and so on.

Let’s also agree that using a tripod is a burden, especially at first when one hasn’t accepted the extra trouble and when you haven’t yet developed instincts that make tripod use a lot more automatic before long. I’ll readily admit to being less than thrilled on about the 50th time that I must remove my tripod from the car, extend and lock the legs, level the thing, attach the camera, and only then make a photograph… after which I have to reverse the process: remove the camera, collapse the tripod legs, stow the thing once again. The slightly put-upon feeling diminishes as you get used to it, but it perhaps never goes away entirely. (The good news here is that the process of setting up and using the tripod does eventually become much quicker and much more automatic than it first seems.)

So, why use it then? There are more reasons than you might imagine.

Stability is an obvious advantage of the tripod. While you can, with care and practice, often hold a camera quite steadily and produce very sharp images when shooting handheld, you simply cannot eliminate all of the blur that comes when you hold the camera in your hands. And if you do happen to have very steady hands, you still will make mistakes that produce blur — working a bit too fast you may introduce a bit of camera vibration in some shots and you will reduce the number of successful results. A good tripod used correctly can virtually eliminate all camera motion and vibration in most cases. This is especially important when doing some kinds of photography that intrinsically require longer shutter speeds. This obviously includes night photography. Low light, low ISO, long lenses, and small apertures often require landscape photographers to use rather long shutter speeds. Continue reading About Tripods (Morning Musings 11/4/14)

Schnitzel Truck Line

Schnitzel Truck Line
Schnitzel Truck Line

Schnitzel Truck Line. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Workers line up at a Manhattan schnitzel truck

I had just stopped nearby to grab a quick coffee and some breakfast, but these downtown workers were apparently already lining up for schnitzel at this mid-morning hour. Food carts and food trucks are ubiquitous in this part of Manhattan, though most are the standard hot dog and pretzel (and more) places. This one offered something a bit different from the usual fare.

The truck itself caught my attention — it isn’t every day that you catch a schnitzel-selling food truck. But there were several other visual elements that seemed interesting to me as well. In a purely visual sense, the complex pattern of the tree shadow on the concrete was striking, almost as if the pattern was part of the sidewalk. (As I shot it I thought about how this “pizza light” might pose similar challenges when photographing in the forest.) The people, obviously, also were intriguing. Except for the second guy in line, who apparently doesn’t want to risk losing his place, each person keeps a rather large distance between himself and the others. The guys at the back of the line busy themselves with their smartphones, and all four of them are visually almost identical, except that one of them is not wearing a pink shirt.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Man With Bag

Man With Bag
Man With Bag

Man With Bag. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man carrying a bag hurries across a Manhattan street

This photograph happened so fast that I can’t even recall exactly where I was, though I suspect I was somewhere a few blocks below the southeast corner of Central Park, where I was headed with a plan of walking around the entire park and photographing what I saw.

One thing I’ll say about busy urban environments such as that in Manhattan — there is bound to be something or someone interesting in front of your camera very quickly. Once you begin to be able to sort out the subjects from the visual background noise, they can start to appear so rapidly at times that there is barely time to photograph them. Many of them suddenly appear and it is a matter of shoot now or lose it. (That happens occasionally in my more typical sorts of photography, but it is rarely so continuous as it is here.) I’m betting that I might have seen this intense-looking fellow before he started to cross the street, and I believe he was in such a hurry that he moved back behind the cars stuck in traffic to cross between them. Aside from photographing him, we had no interaction and he was gone as quickly as he appeared.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.