Deserts offer few clues about the scale of the landscape. Unlike forest scenes, where trees often provide a frame of reference, plants often play a lesser role. Even when there are plants it can be unclear from a distance whether they are large trees or small shrubs. Here the inclusion of the human figure clarifies the scale of the grand Utah red rock landscape.
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I made this photograph very close to the end of a lengthy photography trip to Southern Utah. After shooting on my own for days and then working collaboratively with friends and fellow photographers, I left the others behind and joined my family for a few days in Zion National Park.
We stayed outside of the park boundary, a short distance up a side road that leads way back into the park’s less-known high country. We decided to follow that road and see where it would take us. Eventually it arrived at a sort of plateau — high country ringed by red rock formations and cut through by deep valleys. I made this photograph close to sunset along that road.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This was the scene late in the day during my early July visit to the High Sierra near Tuolumne Meadows and just east of Yosemite National Park. In the right light, this can be my favorite time of day — the sun Is nearing the horizon and the light is softening and turning golden, and shadows stretch across the landscape. I made the photograph next to a high country meadow that opens to a view of the distant Cathedral Range.
The Cathedral Range has a unique personality. It is not on the Sierra Crest, but instead runs more or less northwest to southeast between the the Tuolumne and Merced Rivers. It rises from mostly forested country to culminate in open granite terrain, with some summits that escaped glaciation and are rugged and steep.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Orchard in Bloom, Country Road. © Copyright 2023 G Dan Mitchell.
A narrow country road runs past a Central Valley orchard in bloom.
In general, most people don’t think of the Central Valley as the scenic highlight of California. I suppose that makes sense in a state that includes redwood forests, the Sierra Nevada, the beautiful desolation of deserts, the Pacific Ocean coast, and some great cities. Many Californians think of the Great valley as something to drive through on the way to some other place. But there are beautiful things out there, even in some of the agricultural areas — and recently I have heard that “going to see the almond orchards in bloom” has become a thing.
Every winter when the trees suddenly blossom it seems like “they bloomed early this year.” I finally realized that, no, this is just when they blossom — though the sudden appearance still takes me by surprise. I took a break from bird photography on this morning to drive around a bit, and I found this scene of a narrow road heading down the edge of one of these huge orchards, in morning sun but with sky muted a bit by thin fog.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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