Category Archives: Photographs: People In Landscape

Desert Church, Storm Sky

The town of Trona, near Death Valley, can feel like a place that is dying. A large factory operates in the town, extracting minerals from the giant dry lake in Searles Valley. I have passed through for years, and the number of abandoned and boarded-up homes and businesses has increased. This intriguing church sits along the highway, wedged between the town and the dry lake.

The church has fascinated me since I first saw it many years ago. I have never seen people there or even a car parked in the gravel parking lot. It is one of the least aesthetic Catholic Churches I have ever seen, looking entirely functional and standing implacably in this rough landscape. On the day I photographed it the wind was blowing and storm clouds had gathered over the distant Panamint Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographing Spring Wildflowers

Photographing Spring Wildflowers
Photographer Patricia Emerson Mitchell photographing the spring wildflowers at Carrizo Plain National Monument.

Photographing Spring Wildflowers. © Copyright 2023 G Dan Mitchell.

Photographer Patricia Emerson Mitchell photographing spring wildflowers at Carrizo Plain National Monument.

Although our decision to visit the Carrizo Plain came at the last minute and took us on a route that was affected by road closures, when we finally arrived it was well worth the effort. It was one of those prototypical early-spring days in California — a weather front had passed through, it was windy, cloudbursts and cloud shadows moved across the landscape, wildflowers were in bloom, and at times there was sun.

Of the two of us, Patty is the more accomplished flower photographer. I dabble in this subject from time to time — and enjoy it! — but it is her primary subject. We took a gravel side road to get out into this valley that was carpeted with wildflowers leading off into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Overlook

Evening Overlook
Two people watching the early evening view of immense desert mountains from a high overlook.

Evening Overlook. © Copyright 2023 G Dan Mitchell.

Two people watching the early evening view of immense desert mountains from a high overlook.

Late in the day during my recent Death Valley visit I went to this overlook. It is more typically a place to photograph the sunrise, which comes from camera-left and illuminates the big ridges in the distance. But I had a free evening, not a morning, so I figured it was worth a shot. I arrived before sunset, and I made this photograph before the sun had dropped behind the western ridge, though the haze and high clouds softened the light a bit.

I’ve never been able to quite describe in words the experience of standing on a very high point in such a vast landscape. From here one can look 5000′ down into Death Valley or look 6000′ up toward the highest peak in the Panamint Range and simultaneously feel “on top of the world” and very, very small in the presence of such immensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographing the Canyon

Photographing the Canyon
Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

Photographing the Canyon. © Copyright 2022 G Dan Mitchell.

Patricia Emerson Mitchell photographing in a desert canyon, Death Valley National Park.

My photographs of desert canyon landscapes are virtually always devoid of people. Without some frame of reference it is difficult or even impossible to judge the scale of these places — a cliff could be four feet high or forty, a rock might be a pebble or a boulder. This photograph includes my wife, Patricia Mitchell, at work photographing a section of a narrow desert canyon in Death Valley back in late March.

I often favor longer lenses for landscape photography, but in these canyons I usually use an ultra-wide lens. The canyon walls are only feet apart in the narrowest places, and often the view forward and backward may stretch no more than a few dozen feet. Photographing as a duo in such a place requires teamwork, and each person typically must work alone — or all of the photographs will feature other photographer! She went first as we re-entered this canyon. I followed, and initially photographed back in the direction from which we came. Once she moved forward I turned my attention into the canyon and then kept my distance so that we would not interfere with one another’s compositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.