Deserts offer few clues about the scale of the landscape. Unlike forest scenes, where trees often provide a frame of reference, plants often play a lesser role. Even when there are plants it can be unclear from a distance whether they are large trees or small shrubs. Here the inclusion of the human figure clarifies the scale of the grand Utah red rock landscape.
Continue reading Photographer, Canyon Country
Most of my landscape photographs include little or no evidence of human presence. But sometimes including a human figure can transform a photograph. (I suggest obscuring the figure with the tip of your finger to see how much it changes things.) The person obviously provides a focal point, but also invites viewers to imagine themselves in the scene.
I did not set out to include people in my photographs of Lake Manly. In fact, I positioned myself at the very edge to the lake so that I could include uninterrupted reflections. But this person walked out on a small peninsula that was barely above the water level. At first I was mildly irritated… but I soon realized that this simply gave me a different sort of photographic opportunity.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Among American national parks, Death Valley is known for extensive and diverse evidence of human presence. There are traces of ancient people from the time of European immigrants and their descendants. More recently, members of the latter group came to this landscape as prospectors and miners. Today, even in the most remote parts of the park, you can find their decaying remnants, like this old cabin.
I have visited this site for years, and each time I ponder what it must have been like to live and work in a place like this. It is high in desert mountains, without trees or water, and most people would regard it as desolate. Nearby is a small mine that appears to have been worked by hand. Over the years that I have visited the tiny cabin has continued to deteriorate, and I cannot imagine that it will last much longer.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
It seems to me that when most people think of Death Valley National Park, the first things that come to mind are familiar desert icons, the sand dunes, with features like salt flats close behind. But the park is remarkably diverse, with other features that would surprise those who don’t know of them. Among them are the park’s canyons, some of which — like this one — feature extremely high walls.
The weather often dictates what we do on any given Death Valley day. On this one we had clouds building towards evening rain, so the light on grand landscape subjects was not especially great. So we decided to visit a canyon or two. This one is fairly accessible so we were most certainly not alone. but at times the other visitors disappeared behind curves in the canyon. I decided to include these two hikers in order to illustrate the size of the canyon.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.