Like the brochures say, no visit to Scotland is complete without seeing the hairy highland “coos.” While coos (or, in American English, “cows”) are not my usual subject, the critters were there and I had a camera, so I made some photographs. In this case, a small herd was right next to the road north of Portree, so we paused on our daylong route out and around the end of the island to view them.
Continue reading Back-Scratching Hairy Coo Calf
My recollection is that I made this photograph on the last long day of our May walk in Portugal’s Douro Valley region. We walked out of the town of Alijo on a gray and damp day and into the surrounding vineyard-filled countryside. This door is on the side of an old stone building in one of those vineyards, and I assume that its purpose is related to wine growing in some way.
Looking back at my raw files of this subject, I realized that they embodied a basic rule of photography — try to get closer! My first photograph was of the whole building and the surrounding landscape. Then I moved in and tried to frame the full building by itself. Finally I walked even closer and found a couple of compositions featuring this weathered blue door.
An addendum: It turns out that Patricia Emerson Mitchell (https://patriciaemersonmitchell.com) photographed me as I positioned myself to make this photo!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I had been trying to find the right time to head to California’s Central Valley to photograph migratory birds again. I was last there around New Year’s Day, but since then various things have kept me away — mostly that the times I ‘ve been free were the times when my favorite foggy conditions were not in place. I finally gave up on waiting and went on a sunny day. After all, many of the migratory birds will only be there for a few more weeks!
Late in the winter bird season it always seems like the “bird action” picks up out there. At the beginning of the season much of that happens at the morning/evening fly-ins and fly-outs, with a lot of quiet time between. But by February the birds seem to be more active during the day. On this early-February visit both cranes and geese around all day long. I made this photograph in the early afternoon as a flock of nearby cranes began to gradually move from one spot to another.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.
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On this summer morning I headed over the mountains for the coast, planning to drive north from Santa Cruz and photograph foggy coastal scenes. However, it turned out that there was too much fog for what I had in mind, so I had to recalibrate. There are many lonely little roads that run inland from the Pacific Coast Highway, and I decided at random to explore one of them. I headed up a small valley, crossed some hills, and eventually wound through a narrow valley whose bottomlands held this small farm.
Today a lot of agriculture takes place on large corporate farms, especially here in California where the Central Valley is filled with those gigantic agribusiness operations . But if you poke around a bit off the grid, there are still these little farms in quiet little places. I pulled over and quietly watched the morning sun start to break through the thinning fog.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.