“Hairy Coo Calf” — A young “hairy coo,” the Scotthish Highlands cattle.
Yes, more cute “coo.” I know, not my usual subject. But these “hairy coos” are a big deal in Scotland, and they really are striking and marvelous creatures — especially if you come across one or more in a pasture on a foggy or rainy day. It is hard to imagine many other things that feel more like the Scottish highlands.
“Wheat Field and Building Clouds” — Thunderheads rise above a Cotswolds wheat field.
If you are following along, it may start to be difficult to follow the itinerary of our late-spring trip to the British Isles. We started in Scotland, spent time in Ireland, then headed to England for about three weeks. The first week in England was spent on a walk between villages in the Cotswolds. We had heard about people doing that, and it sounded fun — and we were able to meet up with relatives who live in Europe.
“A young Scottish “Back-Scratching Hairy Coo Calf” — highlands “hairy coo” uses its horn to scratch its back.
Like the brochures say, no visit to Scotland is complete without seeing the hairy highland “coos.” While coos (or, in American English, “cows”) are not my usual subject, the critters were there and I had a camera, so I made some photographs. In this case, a small herd was right next to the road north of Portree, so we paused on our daylong route out and around the end of the island to view them.
“Vines and Bue Door” — Grapevines grow around the blue door of a stone building in a Portuguese vineyard.
My recollection is that I made this photograph on the last long day of our May walk in Portugal’s Douro Valley region. We walked out of the town of Alijo on a gray and damp day and into the surrounding vineyard-filled countryside. This door is on the side of an old stone building in one of those vineyards, and I assume that its purpose is related to wine growing in some way.
Looking back at my raw files of this subject, I realized that they embodied a basic rule of photography — try to get closer! My first photograph was of the whole building and the surrounding landscape. Then I moved in and tried to frame the full building by itself. Finally I walked even closer and found a couple of compositions featuring this weathered blue door.
An addendum: It turns out that Patricia Emerson Mitchell (https://patriciaemersonmitchell.com) photographed me as I positioned myself to make this photo!
G Dan Mitchell apporaches an old stone building in a vineyad near Alijo, Portugal. to make photographs.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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