“Cotswold Trail, Clouds” — Clouds build above a trail through agricultural land in the Cotswolds.
For a hiker like me, with a lifetime of wilderness hiking and backpacking behind him, a “Cotswolds walk” is a new and different experience. I am used to single-person-width trails, usually rocky, and sometimes ascending to quite high elevations. On multi-day trips I have carried everything on my back. But here the trails are gentle, often passing between and through fields and pastures. And you carry only a few supplies for the day’s walk — you simply stop at a grocery or a pub in a small town at lunch time and buy something to eat.
“Isle of Rum” — The Inner Hebrides Isle of Rum, viewed from Elgol, Isle of Skye.
I made this photograph of the distant Isle of Rum from the hills right above the Scottish village of Elgol, on the Isle of Skye. It does not seem like this is one of the more popular places on Skye, to say the least. It is a long drive on remote single-track roads and, to the best of my knowledge, there are no big, iconic tourist sites there. It seems like a quiet place, and we had to search around to find one little place where we could get a cup of coffee and a snack. We were the only customers.
“Morning Sky, Edge of Lake Manly” — Morning cloud-filled sky above the shore of Lake Manly.
It looks like I’m finally coming to the end of this season’s Death Valley Photographs. But there were quite a few, many featuring Lake Manly, the temporary lake flooding Badwater Basin. When the lake appears after a wet year it gives us an unusual opportunity in this desert landscape — to photograph reflected sky and mountains where we would usually see a salt flat.
“Panamint Sky” — Morning winter sky above the Panamint Range and Lake Manly.
Lake Manly, the ephemeral lake that appears in Death Valley’s Badwater Basin in unusually wet seasons, is gradually shrinking once again. It was very large in early 2025, and again quite large early this year. It is starting to dry out and it will likely begone soon. For now though, it is still impressive, especially if you stand at its edge early in the morning, and doubly so when clouds fill the sky.
I chose black and white for this photograph of the lake because monochromegives me a great deal of interpretive freedom, in many way s more so than with color. As a starting point, black and white never can claim to be an accurate representation of the world of colors, and this frees us from notions that a photograph must always aspire to look like what we saw. In this case, monochrome allows me to draw attention to this remarkable winter desert sky.
