“Stick in the Mud” — Dead branches on a bed of dried and fractured mud, Death Valley.
As always, cracked desert mud turns out to be an irresistible subject. I photographed this little patch in the northern portion of Death Valley. We arrived as broken clouds were developing, and that gave us varied light as shadows moved across the landscape. I made this photograph in the “in between” light — not full sun, but strong enough to be directional. The mud patterns are interrupted by the pieces of old wood, but that’s not all to notice in this little scene. Look closely and you’ll see a variety of spring plants beginning to grow in this seemingly-barren terrain.
The skeleton of a bleached plant casts shadows across a sandstone slab
In the fall I spent some time making photographs in Utah, getting to a good number of locations, including some I returned to for more photography following previous visits. Partway through this trip I had plans to rendezvous with a group of friends (some new and some old) and photographers in a somewhat remote part of the state. We met, headed out, and spent the next few days camped “out there,” making photographs every day and visiting some very beautiful places.
On the first day of my meeting with this group we found a place to camp and began to settle in. That process took place pretty quickly, as all of us have spent a lot of time camping and we don’t need a lot of luxuries — in addition to friends we need food, a campfire, a place to sleep, and a spot by the fire for our chairs. So I soon found myself with a few hours of late afternoon free time between the camp chores and our evening shoot. I wandered off into nearby hills and eventually ended up on a sandstone bench with a bit of a view of the surrounding terrain. On top of this flat, dry, and nearly lifeless spot there were several plants that had tried to make a living here, setting down roots in tiny pockets of sandy soil and then growing horizontally across the rock. The first thing that attracted me was the stark contrast between the bleached plant and the red rock sandstone, but (as is always the case) the more I looked the more I saw. The curve of the white branch at the right edge of the frame is echoed by the similar upward curve of the eroded bit of darker rock on the left side, and a darker parallel version of the plant falls on the rock in the form of a shadow.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Fallen Snag, Dry Tarn” — The bleached remains of an old dead tree lie on the rocks of a dry subalpine tarn, Kings Canyon National Park
This year was the second of two very dry years in the Sierra Nevada and much of the west. The snowfall this past winter (2012-13) was far below normal and set records in some places. Last October and November it seemed like we might be starting a very wet season, which would have been welcome after the previous winter’s low levels of precipitation, but then the tap was shut off near the end of the year and there was hardly any more precipitation at all during the rest of the season, the portion when the majority of the Sierra’s precipitation falls. Consequently, this has been a strange summer in the Sierra. Although there may have been more monsoonal rain the usual, the effects of the depleted snow pack are obvious. The spring run-off occurred early and was anemic. By July much of the Sierra looked more like August, and I was already seeing signs of fall by early August.
With all of this in mind, it was no surprise to use to find some unusually dry conditions in the Kings Canyon back-country when we visited for more than a week in mid-September. (Though, in some ways, things were less horrendous than I might have expected. Perhaps this was a combination of going at a time when things tend to be dry anyway and, as a local pointed out to me, some recent summer rains.) On our first day at the location where we stayed to photograph for nearly a week I wandered up some nearby meadows towards a lake that I though I might want to photograph. Very close to my campsite I found several completely dry tarns. (A “tarn” is a seasonal pond fed by snowmelt, and many of them dry up each season.) This very old, sun bleached snag lay across the exposed rocks of this one, creating a stark images.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.
The skeletal branches of a dead plant against the pebbles of a desert wash, Death Valley National Park, California.
I came across the skeletal remains of this desert plant while photographing along the east side of Death Valley near the area identified on some maps as the Kit Fox Hills. I had just finished photographing across the floor of the Valley, capturing an area full of sparse desert plants backlit by the very last rays of sun, and the light had diminished after the sun dropped below the tops of the ridges on the west side of the Valley.
I saw this bit of dead plant near the edge of a wash among the rubble of many-colored rocks and pebbles that had, I presume, been washed down from the canyons in the mountains to the east. For a place that seems so colorless from a distance, there is an astonishing variety of color in these rocks. I can see greens, blues, various shades of pink and purple, and some that almost are orange. The branches are just as I found them, and the soft light with just a bit of directionality from the right fills the shadows that would otherwise be very dark.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
