“Sierra Crest Clouds” — Morning clouds and fog drift among Sierra Nevada crest peaks.
We’re back from the Sierra Nevada, and I have some new photographs to share. I was actually on the east side of the range twice over the past couple of weeks, mostly chasing autumn aspen color but also photographing other seasonal subjects. October is probably my favorite time in the range, and there was a lot to see, including this impressive sunrise cloud show along the crest near Bishop.
Basin Mountain on an autumn morning, with a bit of fall color.
Unless you look closely, you might not see this as an autumn photograph, but the evidence is there. The most obvious indication is in the canyon that descends from the right of the tall peak, Basin Mountain. Just beneath the lip below the dark canyon you can spot a batch of very colorful aspen trees following the drainage into the valley below. There are some other subtle clues, too. The general golden-brown color of vegetation, including that in the high desert hills in the foreground, is typical of fall. Even more subtle is something in the quality of the light and atmosphere… which is what provoked me to detour to make this photograph.
I’ve long been intrigued by Basin Mountain, which rises to the Sierra Crest west of Bishop, California. From the east, the face of the peak is marked by a striking “basin,” and some interesting old trails switchback across its lower face. I’ve wondered what is in that basin, but I’ve never found the time to go up there. I would not typically make a photograph of such a subject at this time of day — late morning. The east side of the Sierra is often in less-than-lovely light at this time, especially if there is haze. But on this day there was merely enough haze to make things interesting, while higher clouds softened the light. So I detoured away from the start of my homeward drive to follow some backroads to this camera position where I could include the foreground hills and the peak.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.
The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.
I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Pre-sunrise light on the eastern escarpment of the Sierra Nevada.
As I queue up photographs for future posts this morning I seem to be alternating, in a way, between the ridiculous and the sublime. The previous image I posted was one of a broken pumpkin, cast aside next to the curb on the morning after Halloween. The photograph shown here comes from a rather different sort of morning, before dawn in a high place just below the eastern face of the Sierra Nevada, awaiting the arriving of sunrise light on an autumn morning.
Photographs (and, arguably, especially landscape photography) is largely about the light. The great subjects are always there, and many of them stand still for hours, days, seasons, years. But the light is never really the same twice, even though we can recognize certain categories of light. One beautiful sort is the softly colored light that may appear just before sunrise when the conditions in the sky are just right to produce some color. I had arrived at this location quite early, having made a prior plan to photograph here, but I could not know exactly what the light would do. Although my plan was to photograph the first sunrise light on the tops of the peaks, it was this soft, early light that turned out to be the most fascinating.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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