In case you haven’t heard, it is wet in Scotland. I knew this, having been there before, but coming from the relatively dry California climate, it is still quite a contrast. One thing that still takes me by surprise at first is the size of the streams and rivers that rise over short distances — and that they are everywhere. We stopped and photographed this roadside cascade as we were departing Skye to head north.
Continue reading Marsco and Waterfall
Remembering the October day when I made this photograph, I recall that there were some thunderstorms around the area and that we had mixed light. These were those wonderful conditions where it might rain one moment and the next there might be brilliant sunshine, always with the possibility of a dramatic sky. It appears that I made this exposure during one of those sunny breaks. (Looking at other original exposures in the sequence, not all of them had this light.)
Continue reading Sandstone Towers
A band of photographers and friends has met in a semi-wild place every New Year’s Day for about a decade. We get join welcome tothe new year, share stories, and photograph birds and the landscape. Until this year we had a streak of good weather New Year’s Days, but we were due for bad weather — and we got it! It wasn’t exactly horrible, but it was rather wet and gray… except for a few moments when the clouds parted enough to allow some light.
These three bare trees are old friends of mine. I’ve visited and photographed them for years. This time I was intrigued by the light on more distant trees, the ominous skies, and the newly green pasture. That winter green is a characteristic of much of California. it must almost seem to those from other places that our seasons are backwards — brown and dry in the summer and lush and green in the middle of winter.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.
I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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