“Sandstone Towers” — Red rock sandstone towers, Arches National Park.
Remembering the October day when I made this photograph, I recall that there were some thunderstorms around the area and that we had mixed light. These were those wonderful conditions where it might rain one moment and the next there might be brilliant sunshine, always with the possibility of a dramatic sky. It appears that I made this exposure during one of those sunny breaks. (Looking at other original exposures in the sequence, not all of them had this light.)
“Three Trees and Pasture” — Three dormant trees in a newly-green Central Valley pasture.
A band of photographers and friends has met in a semi-wild place every New Year’s Day for about a decade. We get join welcome tothe new year, share stories, and photograph birds and the landscape. Until this year we had a streak of good weather New Year’s Days, but we were due for bad weather — and we got it! It wasn’t exactly horrible, but it was rather wet and gray… except for a few moments when the clouds parted enough to allow some light.
These three bare trees are old friends of mine. I’ve visited and photographed them for years. This time I was intrigued by the light on more distant trees, the ominous skies, and the newly green pasture. That winter green is a characteristic of much of California. it must almost seem to those from other places that our seasons are backwards — brown and dry in the summer and lush and green in the middle of winter.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.
Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.
I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.
“Oak Tree, Sun and Fog” — Sunlight streams through thinning fog on a hillside behind an old oak tree.
This is the third and final photograph from my recent local “foggy morning” photography. To recap, when low fog stuck around here for hours (it usually dissipates very early) I headed out to the local rural landscape to make some photographs. This tree is in an area south of San Jose that was once destined to be a technology park. There’s a lot of history there, but the short story is that after the local government gave in to developer pressure there were no takers for the technology park. Today it remains relatively rural and is increasingly protected. I’d call that a victory!
The tree is on private land, from what I can tell, though clearly visible from a nearby roadway. The hills in the background form a low ridge that roughly parallels the edge of the valley for miles. At the moment I made the photograph the tree was out of the fog, but it was just thinning in the hills, and beautiful slanted columns of light formed between the shadows of trees.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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