“Fractured Surface” — Fractured dry mud, Death Valley.
Yes, more dried mud! As I have written before, for reasons that still mystify me, this is an irresistible subject for many landscape photographers… and I’m no exception. What explains it? The colors? The contrast with surroundings? The fractal shapes?
“Crater Wall Detail (vertical)” — Eroded strata of a Death Valley crater wall.
We ran into a photographer friend in Death Valley, and she reminded me of this location. It is a surprising and unusual geological formation, but one that I have never felt too enthusiastic about photographing. But her enthusiasm persuaded me to go there and try again. We got sidetracked by a different subject nearby, but we finally made it here late in the day.
The late arrival may have been fortuitous, since the sun had dropped behind nearby mountains, and much of the filtered light came from other bright clouds that were still sunlit. This softer light filled in the shadows of this rugged formation.
“Two Towers” — Two backlit sandstone towers, Grand Staircase-Escalante National Monument.
Stopping to photograph these formations was almost an afterthought. We had been far down a remote road in the Grand Staircase-Escalante National Monument photographing even more obscure locations, and we were headed back towards Escalante. Not being familiar with this area back then, I was surprised when we stopped here along the way, but then this little red rock garden began to attract me.
“Blue Playa” — Intensely blue dry mud on Death Valley’s hidden “Blue Playa.”
I have photographed in Death Valley National Park for almost three decades. I have heard whispered rumors of this remarkable “Blue Playa” for years, but no one would share anything definite about it. All I knew was that somewhere in a remote and seldom-visited area of this vast park there was purportedly a small playa featuring astonishingly colorful soil which, in the right lighting conditions, is so blue that it rivals the color of a clear sky. This has been on my mind for years.
Since those who know weren’t talking, it was clear that I’d have to do some sleuthing. All I knew was that the place is remote, surrounded by difficult mountains, and not terribly large. Out of respect for the feature — and concern about potential damage should the location become widely known — I’m going to omit specific details. But here’s as much of the story as I can share publicly.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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