Speaking as a complete non-expert, I think that what we’re looking at here is a boundary between the low point of a small playa-like section of dried earth and a slightly higher area with black pebbles. The pebbles appear to be volcanic material from a nearby eruption that took place hundreds or thousands of years ago. (The particular feature may have erupted as recently as 800 years, though it has also possibly been longer.)
Continue reading A Boundary
Desert Lake, Island and Mountains. © Copyright 2023 G Dan Mitchell.
Distant desert mountains stand in morning light beyond Mono Lake and Paoha Island.
Mono Lake is known for a few particular things: the picturesque tufa towers along its shoreline and its extremely salty water. (It is landlocked, so all water — except that stolen by LA — leaves the lake by means of evaporation.) But other things that characterize the Mono Basin for me, too. One is the surprising juxtaposition of essentially high desert and the vast surface of this lake. Another is the huge expanse of sky. And at times, the area can be as still and silent as almost any place I’ve been.
This time I went in the morning, primarily to visit two places. One, seen in some other photographs that I’ll share from this visit, is an old ponderosa pine forest that was consumed by wildfire. The other is the spot in this photograph, on a ridge along a roadway, where I can look across hills and the periphery of a volcanic crater toward the lake, its own volcanic islands, and desert mountains in the far distance.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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This is the second of two photographs that “reemerged” from a recent look back to raw files from a trip to Devil’s Postpile National Monument a few years ago. The first was, in essence, a “new” photograph in that I had not taken it through my post-processing workflow back when I first captured the image. At the time I was more interested in one or two other photographs from the session, so I left it behind. But when I went back and looked again this year I “discovered” it anew, and now it did not seem a like file to simply archive! This one has a different story. I did finalize a photograph of this image shortly after I made the exposure. But now, some years later, I see it differently than I did originally… so here is a new interpretation of the subject.
To rehash the old story in brief, we ended up at Devil’s Postpile essentially by accident… after sleeping in and enjoying a leisurely breakfast rather than heading out into the pre-dawn cold as I usually do. And when we got to Devil’s Postpile, at first I wasn’t even going to photograph! The geometric forms of the “post pile” are fascinating, and they are even more interesting in soft light and when sections of the formation are isolated, here with a long lens. The pattern of columns in this scene reminds me of various things — the pipes of an organ, some sort of stairway, and so forth.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Trees, Volcanic Slopes. Near Mono Lake, California. July 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.
Sunrise light on trees ascending the side of a volcanic cone, east of the Sierra Nevada
I frequently photograph in the Mono Basin, at and around Mono Lake. I have been photographing there long enough that I’ve learned to look beyond the famous tufa formations — worthy photographic subjects that they area — and try to find other elements that also are intrinsic to the character of the place. The lake itself is one subject — its huge expanse, the immense quiet and stillness often found there, the birds, and the sky. The surrounding terrain is also very interesting once you spend some time looking away from the lake: the eastern slope of the Sierra Nevada, gentle terrain rising to eastward mountains, ponderosa pine forests, and more.
Many years ago I became intrigued by these trees that grow a good distance up the sides of the volcanic domes rising just south of the lake. At certain times the light bathes them in color and can turn a normally drab scene into something quite striking. ON this morning the sun had just risen into hazy skies, and there was a great deal of red in the light, contrasting with the very blue color of the shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.