Speaking as a complete non-expert, I think that what we’re looking at here is a boundary between the low point of a small playa-like section of dried earth and a slightly higher area with black pebbles. The pebbles appear to be volcanic material from a nearby eruption that took place hundreds or thousands of years ago. (The particular feature may have erupted as recently as 800 years, though it has also possibly been longer.)
The last autumn leaves on trees and bushes above sculpted rocks along a bend in the Escalante River.
Fall is my favorite season. I’m not really a summer person — too hot! — but the warm early autumn days are just about perfect. I love winter, too, and part of the appeal of fall is the certainty that winter, the time of “interesting” weather is coming soon, too. And as fall moves on toward winter the first of the Pacific cold weather systems begin to arrive, and snow begins to arrive in the Sierra.
Before that happens, though, we go through the autumn color season. In recent years I have discovered that I can stretch it out for months. For me it begins with a few early changes by the beginning of September in the Sierra which culminate a month later with the spectacular aspen color. Then the color works its way west across the range and down into the westside valleys, before it finally begins to peak in November nearer the coast. There’s still a bit left in December… and sometimes even later. I photographed this scene deep in the canyon of the Escalante River along a rocky bend where the final colors of the season were just about spent.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Autumn leaves lie on the sandstone in a high country creek bed, Zion National Park
Every so often I decide to dig back through my older file archives from previous years, and I almost always discover photographs that I had forgotten, that perhaps didn’t resonate at the time, or were part of batches of images that I someone never quite finished reviewing. This is one of those. It comes from a lengthy autumn trip to various places in Zion with a group of friends back in 2012.
I made this photograph in Zion National Park, but it could have been made in uncounted numbers of places in Utah — it has the basic ingredients: patterned and worn sandstone plus leaves. This scene is as I found it, a small vignette of leaves, some in colors matching those of the sandstone and couple yellow enough to stand out from the background.
A singleleaf ash tree stretches across red sandstone wall, Utah
I love the stunning sandstone landscapes of Southern Utah — a world of canyons intimate or huge, smooth red sandstone walls, the force of water, juniper trees, flatlands and mountains, and the thought-provoking presence of people who lived here before we came. When I return to my California landscapes from Utah they always seem a bit… gray. I made this photograph on a visit a bit more than four years ago, when I joined several photographer friends to explore places from Zion National Park to Capitol Reef National Park, spending time in some of the stunning national monument lands in between. I made this photograph in the Grand Staircase-Escalante National Monument, a place that surely is deserving of national park status.
Back in 2012 during this visit, I thought about how my country had the foresight to protect such quintessential American landscapes and hold them in trust for all Americans today and long into the future. It did not even cross my mind that they might soon again be in danger. But they are, including this very place, now described by self-serving politicians intent on taking the land that we own and giving it away to private interests as being “places where no one goes” or places that are just empty desert. This is, of course, nonsense and only a liar or worse could make such a claim with a straight face. Once again, it appears that it will be time to have to try to re-save these places.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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