“Early Light, Mono Craters” — First morning sunlight on the slopes of Mono Craters.
Mono Basin is a fine place to contemplate geology and immense spans of time. Mono Lake itself is an ancient body of water, and one that has not always looked like it does today. The lake is probably 3/4 of a million years old, and its ancestor lake was, at times, much deeper and larger than it is today. At times its waters rose high enough to overcome its current landlocked state and drain either north or south. (To really bend your mind, its waters may have drained to ancient Lake Manly in Death Valley.) Today, as large as the lake is, it is greatly diminished in size and depth by comparison.
I made this photograph at the end of a beautiful afternoon of aspen photography that was enhanced by the passage of impressive thunder storms. I had completed the day’s aspen photography and dropped back down into the high desert along US 395 in the Mono Lake area when the clouds began to thin and break up and glow in evening light. Here some lenticular clouds were forming over the Mono Craters.
The Mono Craters comprise an interesting bit of geology that we might not automatically associate with the Sierra Nevada. We tend to think of the range being built by the uplift of gigantic “blobs” of granite, with deeply eroded overlaying material above. But volcanic processes were at work out here, too. Mono Craters are a particularly obvious example that you cannot miss as you drive south from Mono Lake — and part of a chain of volcanic cones extending from the north short of the lake to south of Mammoth Mountain.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Mono Lake Shoreline, Morning” — The Mono Craters rise beyond the shoreline of Mono Lake on an autumn morning.
Sierra Nevada autumn photographs often feature the colorful leaves of aspen trees, but this is what fall looks like at the base of the eastern escarpment of the range. The grasses have turned golden brown, there’s often a bit of haze in the air, and things seem to be quieting and slowing as the seasons change. I made the photograph on a fall color trip to the Sierra, but I also ended up spending a lot of time in spots like this.
The Mono Basin is a fascinating place and an interesting contrast to the Sierra Nevada. It is dry, even though gigantic Mono Lake stretches across much of it. It is also a place where the geology is laid bare, unlike parts of the Sierra where much of it can be hidden by trees. A string of old volcanic vents and craters begins near the north shore of the lake, includes two islands in the lake, and then continues south through the Mono Craters and on to points below Mammoth Mountain.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Sunset Clouds, Mono Craters” — The last sunset light on clouds above Mono Craters.
This ridge is comprised of the Mono Craters, a string of volcanic cones running roughly south from Mono Lake east of the Sierra Nevada. We don’t typically think of the Sierra as a volcanic range, but there are quite a few examples of volcanism to be seen once you get to know the area. If you head over the Sierra to Lee Vining and then turn south you will see a lot of evidence of this. You begin with the islands in Mono Lake, then. see another cinder cone just south of the lake. The Mono Craters rise just south of highway 120 as it heads out into the lonely basin and range country. Continuing south you pass several impressive cones and lava flows on your way to Mammoth Lakes, where Mammoth Peak rises — yes, another volcanic feature. From there, if you hike south you can see the string continue.
I was here at the end of September on a sort of “getting reacquainted with the Sierra” trip after returning from ten weeks of overseas travel. That travel was wonderful, but it was great to be back ”home” in California’s mountains. On this evening I was photographing an absolutely wild sunset over Mono Lake, and as a sort of side-show I saw this lovely light over the craters as the last light illuminated clouds and remnants of falling rain.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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