We were out for a walk in Shrewsbury, and as we crossed a bridge over the River Severn we spotted this swan family in the water. The trick is usually to get critters to align themselves with the rest of the scene in a way that is compositionally interesting and makes them the primarily focus. Darned birds don’t always cooperate! But this time I only had to wait a moment — and then photograph quickly — for them to cross the river in the foreground.
Continue reading River Severn Swans
This photograph of people pausing at the Foto Automatica in Florence took me back to a previous visit to this city. On that earlier trip we were barely there, stopping only briefly between time in Chianti and our flight home. We stayed in a hotel a few steps from this old-school photo booth, and I was surprised at its popularity. Even in an age of hand-held selfie cameras there seems to be something special about crowding into this little old-school booth.
I photographed it on that first visit, and I photographed it again when we spent a longer time in Florence, this time long enough to explore the place more extensively. We did not stay in the same hotel, but we walked past one day — and I was pleasantly surprised to see that the Foto Automatica was still there, in its odd little corner along the narrow street. As I watched a (family?) group paused to make pictures.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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A Family. © Copyright 2022 G Dan Mitchell.
A passing family group on the street in Manhattan.
As scheduled, it is back to more street photography today. This photograph comes from our late-August visit to Manhattan, which provided us with opportunities to simply go out on walks and observe/absorb the Manhattan vibe. That is, of course, a complex thing, being composed of lots of people, lots of motion, the urban canyons, occasional bits of quiet and stillness, and a lot of things that happen quickly and are gone. The latter, of course, is part of the appeal of street photography.
I recommend urban and street photography to all photographers, including those of you who like think of yourselves and landscape or nature photographers. As a general thing, I think it is good for you and for your photography to step outside your primary genre and to be aware of good photographic work done with subjects quite different than your own. On a very practical level, shooting street forces you to see, think, and react really quickly. Quite often subjects coalesce and disappear in seconds or even fractions of seconds. You don’t have much time to carefully consider, so you work on the basis of instinct. And that is a useful skill to develop, even if you usually work at a more sedate pace. Street also reminds us of how we make photographs of things that we don’t have time to fully evaluate or understand. For example, while I call this photograph “A Family,” I can’t know that it is a family group. And while I might make be tempted to make other assumptions about this trio… I have no way at all of knowing whether I’m right or wrong. It is better, I think, to just ask questions.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Market, Mott Street. New York City. December 24, 2015.© Copyright 2016 G Dan Mitchell – all rights reserved.
A family pauses on the sidewalk in front of a Chinatown market on Mott Street on Christmas Eve.
I have been a bit surprised to find a lot of photographs of families, often with a kid in a stroller, among my street photographs from this December 2015 visit to New York. The photographs range from an adult family posing for a selfie (yet to be shared here) to families on busy downtown streets to night photographs like this one — and strollers seem to be a repeating theme. I’m not sure what this means.
While trying to figure out where we would go for dinner after discovering that our first choice and its neighbors were way to busy, I took a few minutes to wander up to the end of this very narrow street. This corner market featured a wild and colorful assortment of produce in outdoor stalls along the sidewalk, made more intense by lighting under the awning. My first thought was to photograph this colorful subject, but then I watched to see who might wander by and populate the photograph. A family stopped, father looking at his wife and child and the woman casting a glance in my direction.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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