We walk a lot when we visit cities, and on this Lisbon day we had walked to and then through portions of Alfama. This neighborhood is full of very old streets and buildings. It is built on a hill rising above the water, so many of those lanes are quite steep. Overall it was a slow and mostly quiet walk… until we emerged on this busy street!
Continue reading Trolleys and Tuk Tuk
Some “tourist attractions” are darned near inexplicable. Manneken Pis is one of them. Located at a nondescript corner in a relatively nondescript area of Brussels, it is a fountain with a tiny (61cm tall) statue of a small boy urinating. Indeed, the idea that such a thing exists is mildly interesting. But the actual site is a pretty big nothingburger in my ever-humble opinion.
So, you might wonder, where is the fountain in this photograph referring to it? It is out of the frame to the right. I was completely uninterested in photographing the peeing kid myself. However, the people who came to look and photograph themselves in front of it were fascinating. Some stood back and shot images of it — and I’m trying to imagine them getting back home and wondering why they did. Others lined themselves up to take selfies with the urinating youngster in the background, thus managing, I suppose, to prove that they were actually there. Standing next to a 61cm statue. Of a pissing boy. Or something. ;-)
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This photograph of people lazily passing an evening along a canal in Venice almost didn’t see the light of day. It is a “left behind” photograph that languished in my raw file archives for the past three years. Every so often I revisit the archives, and I almost always discover something that I missed. How do I miss these images? Sometimes I think I had a different idea in mind for the photograph that did not work, and returning with fresh eyes allows me to see it anew. Or, as in this case, another photograph that I made almost next door to this one did make the initial cut, so I think I dismissed this one at the time and moved on.
We were in Venice in August that year. Believe it or not, we had not been there before, and we really felt that it shouldn’t be missed. So we put up with the crowds and heat and incorporated it into a larger trip to Southern Europe. On this evening we had eaten and then gone out for an evening walk in the cooler air, diminished crowds, and beautiful evening light.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
The “Fountain of the Horses” (“Fuente de los Caballos“) is a two-centuries-old monument in the Praza das Pratarías, a small square near various sacred buildings in the city. Its name comes from the four horses at the base of the statue. We passed though the square several times during our May visit.
While the fountain was on my mind when I made the photograph, it wasn’t the main thing that I was thinking about. (I mostly thought of it as a compositional element.) I was intrigued by the arrangement of buildings on the street at and around the square and by the morning light coming straight down a narrow street to the left… and also by the positions and colors of the people in the square.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.