Just a few days after sharing a post in which I mentioned that I photograph a lot of subjects that are not icons… here is a photograph of an icon! This scene in the town of Portree, Isle of Skye is definitely in that category. I’m pretty sure that this scene will show up if you search (or as I hear I should now say, “search up”) “Portree.” It is an attractive row of colorful buildings, and their reflection in the water adds to the effect.
Continue reading Colorful Buildings, Portree, Scotland
I am going to use this post to give a shout-out to Portugal Green Walks, the company we used to organize our May walk in the Douro Valley hills. (I have no financial relationship with the company — just a pleased customer.) We spent a week in this region, walking on six days between cities in a loop that started and ended in Pinhão, the small town along the river bank near the lower edge of the photo. They could not have come up with a better conclusion to the walk. On the second-to-last day we rounded a hill and soon came upon this spectacular view of the Douro River and Valley.
A few minutes later we arrived at our lodgings, checked in, and walked out onto their terrace overlooking this view, where we enjoyed almonds from their orchard and a glass of wine. We truly felt that we had arrived as we sat and took in this remarkable scene. We were not quite finished yet — the next morning we had a short, easy downhill walk to Pinhão, where we began our trip back to Porto.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I photographed this window on the morning we departed Casals de Loivos on the final day of our one-week walk in the hills and vineyards of Portugal’s Douro Valley region. We took a brief walk thought this small village before walking the steep trail downhill to Pinhão, where this segment of our trip would end.
Our arrival in Casals de Loivos was a spectacular conclusion to the walk. We stayed at an inn with a terrace overlooking the Douro Valley and the winding Douro River far below. This window, with its wrought iron grate and fascinating shadows seems to me to capture one of the kinds of light we saw here — bright, brilliant, high angle light that somehow manages to not be harsh despite being intense.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
The “Fountain of the Horses” (“Fuente de los Caballos“) is a two-centuries-old monument in the Praza das Pratarías, a small square near various sacred buildings in the city. Its name comes from the four horses at the base of the statue. We passed though the square several times during our May visit.
While the fountain was on my mind when I made the photograph, it wasn’t the main thing that I was thinking about. (I mostly thought of it as a compositional element.) I was intrigued by the arrangement of buildings on the street at and around the square and by the morning light coming straight down a narrow street to the left… and also by the positions and colors of the people in the square.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.