Just a few days after sharing a post in which I mentioned that I photograph a lot of subjects that are not icons… here is a photograph of an icon! This scene in the town of Portree, Isle of Skye is definitely in that category. I’m pretty sure that this scene will show up if you search (or as I hear I should now say, “search up”) “Portree.” It is an attractive row of colorful buildings, and their reflection in the water adds to the effect.
Continue reading Colorful Buildings, Portree, Scotland
This seemed to me like a particularly picturesque curve in the Leie River though the old section of Ghent, Belgium. Although the sky suggests partly sunny light, it remained a bit overcast where we were, thus the very soft light in this photograph. This is a busy place, and there were not a lot of opportunities to photograph just one or two people in this scene.
We were only in Ghent briefly — we took a train there from Brussels for the day. We spent the day walking around the center of the city, where there are many old buildings and perhaps one of the greatest concentrations of church spires I have seen. I made the photograph as we walked a bridge connecting the two sides of the river.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I made this photograph close to the conclusion of early morning photography in Trogir, Croatia. We arrived in the old town on the island before sunrise and photographed the nearly deserted narrow, cobblestone streets, the architecture, and a few people who were out early, getting the town ready for the coming onslaught of visitors. As we finished — and before stoping for coffee nearby — we emerged on this side of the island, facing the channel between it and the part of the town across the water.
It was a really lovely morning. The warm sunlight was muted a bit as clouds appeared and a large thunderstorm appeared to develop over the city of Split, down the coast. Here we just had the over-spill from that mighty cloud — just enough to make the sky more interesting and to soften the light a bit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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They tell me the weather in Scotland is supposed to be gray, wet, and cold. It was anything but that on the first days of our May visit. (OK, it lived up to expectations a few days later.) For most of our first five days in the country it was pleasantly warm and brightly sunny. Some of the natives seemed grateful that we had brought our California weather along with us. Here in Oban the skies were blue with only a few occasional clouds, and views stretched to distant highland mountains.
Following our first night at a Glasgow Airport hotel after a very late arrival, we took the train to Oban for two days of relaxation and jet lag adjustment. The town was just about perfect for this low key part of the trip. It is a lovely place that sits right on the waterfront — fishermen, tour boats, pleasure craft, and ferries come and go constantly. The whole place was walkable. We visited the Oban Distillery and did a little whisky tasting. And we enjoyed the beautiful panorama of mountains and water.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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