One surprising thing about the Isle of Skye and other parts of northwest Scotland is that mountainous landscape can be barely above sea level. I think it is a combination of the northern latitude and the rocky geology that gives us alpine summits rising directly from the coast. So I was constantly surprised and sometimes confused when we would drive though hills, past peaks, then come around a bend and see an ocean inlet like Loch Slapin.
Continue reading Loch Slapin
I made this photograph of the distant Isle of Rum from the hills right above the Scottish village of Elgol, on the Isle of Skye. It does not seem like this is one of the more popular places on Skye, to say the least. It is a long drive on remote single-track roads and, to the best of my knowledge, there are no big, iconic tourist sites there. It seems like a quiet place, and we had to search around to find one little place where we could get a cup of coffee and a snack. We were the only customers.
Continue reading Isle of Rum
Riquewihr, in the Alsace region of France, is one of those “too-cute-to-believe” villages, made extra so around Christmas, which is when we visited. Like many of the old villages here, it fits the expected profile of cute old villages, with an entrance through an old arch and many half-timbered old buildings lining a cobblestone street. Add holiday lights and it is almost a holiday sensory overload.
We stayed on the edge of the town for several days, so we could simply walk into the village. That’s what we did on this evening, when we took a stroll up and down the main street. I saw this walkway, with its great old bare tree and Christmas decorations beneath.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Street, Buildings, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.
Afternoon shadows fall across buildings and a narrow street in Tuscany.
This photograph is the second half of a pair similar photographs I made during this visit to a vineyard in Tuscany a few years back. The location (Castello de Ama) features a small central area of stone buildings, amounting to a very small village, surrounded by vineyards. As you can guess, that it was pretty much “typical Tuscany,” which is a very good thing.
Arriving towards the middle of the day, the light was intense during our entire visit, aside from a very few passing clouds. To this Californian there is something both familiar and different about Tuscan light. The intensity is similar, especially at midday during the summer, and stark contrasts between light and shadow are common. But the Italian light seems to me to be softer, or perhaps more accurately the atmosphere seems softer, perhaps as a result of humidity. This photograph and the one I posted earlier both feature stone buildings, a bit of a narrow street, and dark midday shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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