“Isle of Rum” — The Inner Hebrides Isle of Rum, viewed from Elgol, Isle of Skye.
I made this photograph of the distant Isle of Rum from the hills right above the Scottish village of Elgol, on the Isle of Skye. It does not seem like this is one of the more popular places on Skye, to say the least. It is a long drive on remote single-track roads and, to the best of my knowledge, there are no big, iconic tourist sites there. It seems like a quiet place, and we had to search around to find one little place where we could get a cup of coffee and a snack. We were the only customers.
“A Riquewihr Christmas Tree” — A small Christmas display beneath a towering bare tree at dusk, Riquewihr.
Riquewihr, in the Alsace region of France, is one of those “too-cute-to-believe” villages, made extra so around Christmas, which is when we visited. Like many of the old villages here, it fits the expected profile of cute old villages, with an entrance through an old arch and many half-timbered old buildings lining a cobblestone street. Add holiday lights and it is almost a holiday sensory overload.
We stayed on the edge of the town for several days, so we could simply walk into the village. That’s what we did on this evening, when we took a stroll up and down the main street. I saw this walkway, with its great old bare tree and Christmas decorations beneath.
Afternoon shadows fall across buildings and a narrow street in Tuscany.
This photograph is the second half of a pair similar photographs I made during this visit to a vineyard in Tuscany a few years back. The location (Castello de Ama) features a small central area of stone buildings, amounting to a very small village, surrounded by vineyards. As you can guess, that it was pretty much “typical Tuscany,” which is a very good thing.
Arriving towards the middle of the day, the light was intense during our entire visit, aside from a very few passing clouds. To this Californian there is something both familiar and different about Tuscan light. The intensity is similar, especially at midday during the summer, and stark contrasts between light and shadow are common. But the Italian light seems to me to be softer, or perhaps more accurately the atmosphere seems softer, perhaps as a result of humidity. This photograph and the one I posted earlier both feature stone buildings, a bit of a narrow street, and dark midday shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A cloud drifts in the sky above stone buildings in Tuscany
If you follow my posts you may have noticed quite a few post from Italy recently, and you might be wondering why. Have you been to Italy? ;-) OK, there are more objective reasons I can share. I make a habit of reviewing older work a year or more after I make the photographs. I see the images differently with a bit more subjective distance from the actual experience. There’s another reason, too, and it ties the place I live (California) to Italy it ways that have only recently made more sense to me. This spring and summer as I’ve walked trails in California’s grass and oak lands on warm days, it has hit me just how similar the experiences can be. And a visit to an area winery on such a day reinforced that feeling. So I suppose I’ve been enjoying both the pleasant memories of the 2016 visit from which this photograph comes and the realization that I live in a place that shares some Italy’s pleasant features.
This is one of a pair of related photographs I made at an Italian vineyard and winery we visited — both focus on the stone buildings and midday shadows. (The related image will show up here in a later post.) The vineyard centers on a very old hamlet consisting of stone buildings surrounded by vineyard. We were there in the middle of the day, and the unique Italian light was wonderful. I’m not quite sure how to describe it in words, but it has some remarkable combination of the intensity of southern light along with the softness of the Italian atmosphere.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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