“Isle of Rum” — The Inner Hebrides Isle of Rum, viewed from Elgol, Isle of Skye.
I made this photograph of the distant Isle of Rum from the hills right above the Scottish village of Elgol, on the Isle of Skye. It does not seem like this is one of the more popular places on Skye, to say the least. It is a long drive on remote single-track roads and, to the best of my knowledge, there are no big, iconic tourist sites there. It seems like a quiet place, and we had to search around to find one little place where we could get a cup of coffee and a snack. We were the only customers.
“Blue Stone Vortex” — Curving and intersecting fractures in Sierra Nevada rock under stormy skies.
While I’m often drawn to the large scale landscapes, intimate landscapes appeal to me, too. The big photos do give the grand perspective of the landscape, but I think that images of smaller elements and components of the larger scene can tell us just as much about a place. And their sometimes-abstract nature lets us see the landscape in new ways that we perhaps had not thought of.
The grand landscape was not cooperating when I I photographed these rocks. It had been raining and it was still very cloudy. Are the rocks really this color? That’s a good question! The landscape looks different under various sorts of light, and often our vision system “corrects” for this and we do not notice it. I knew that the overcast was having an effect, but until I opened this photograph (and others made at the same time) in post, I had not realized just how blue the light was. Sometimes I “correct” these strong colors, but this time I decided to go with it.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.
This photograph was made mere moments after another of the eastern Sierra Nevada escarpment that I shared recently. That photograph included the first, warm-tone light of the new day. This one comes after that initial golden hour light has left the highest peaks — though a bit of it remains in the lower foreground — and these formations are illuminated by somewhat harsher light. It was a remarkable morning, with conditions changing with extreme rapidity. The gently curving wave cloud in the previous photograph had, by the time I made this one, turned into a very dark layer beyond the crest.
There is another background story related to this series of photographs — a story that is partly about photography and partly about learning to know places. I first went to this location quite a long time ago, almost by accident the first time. Intrigued, I returned frequently when I had a moment, and as a result I saw the place in rather varied conditions. I began to get a sense not only of what I actually saw, but also of how this landscape might respond to conditions that I did not encounter. Eventually this served me well, and more than once I’ve aborted other photographic plans to go to this spot based on nothing more than a hunch about what the conditions might be like.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
New spring grass and flowers on a hillside beneath a stormy sky.
This scene somewhat took me by surprise. When I went to the Carrizo I was expecting to experience sunny, dry conditions, and even a bit of warmth. But as I approached I drove through occasional light showers, and soon after I arrived at my campground it began to rain lightly. (This forced a decision – sleep in the back of my 4Runner or set up my tent. The prospect of having to repack a wet tent the next morning forced the decision.) I set up my minimal campsite — which mainly consisted of putting out a few objects to make it clear that the site was occupied — and then I headed out to make late afternoon and evening photographs.
As I headed down the gravel road it was clear that the afternoon weather was going to be “interesting.” At times it was sunny, but then moments later a shower would arrive and drop some rain. As I drove past this flower-covered hill, the sky behind it was covered in very dark clouds, so I stopped to make a photograph emphasizing the contrast. As I set up, beams of sunlight passed over the foreground scene, lighting it up against the darker and more dramatic sky.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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