The Pena Palace sits on the top of a ridge above Sintra, Portugal, a short train ride from Lisbon. (You do have to get to the ridge from the train station, perhaps a story for another time.) It is a remarkable structure that appears like something from a fantasy, especially in the foggy and rainy conditions while we were there. The palace and its turrets and towers are painted in brilliant colors.
Continue reading Detail, Pena Palace
This is a small section of a wall in Brussels, Belgium. We passed it while out on a very long (almost all day) walk through the city. I’m fascinated by walls like this one, where layers of personal messages and markings have built up over time, juxtaposed in sometimes-surprising ways to produce a kind of found art.
These things often consist of some combination of actual “art” (often small, personal drawings), bits of text including tags and quotes, random smears of paint, remnants of paper fliers in the process of weathering and falling off. They become short-term time capsules as layers build up, with the newest material on top and the oldest visible through the newer materials in places.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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The textures, forms, colors, and patterns found in Utah sandstone walls amaze me. They can be so complex that I sometimes imagine that I see things like writing or images, but patterns formed naturally over the millennia. Here we can see layering at more than one angle, marks left by dripping and flowing water, the effects of exfoliation, and more.
This bit of wall might usually not get a lot of attention. If I recall correctly (it has been a decade) I found it in an odd corner of a canyon at Capitol Reef — not in a particularly iconic location within the park. Because it was later in the day the high canyon walls blocked the direct sunlight, allowing the softer light to fill that shadows a bit and reveal more details.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
During our December visit to Montpellier, France we visited the Promenade du Peyrou, a large public square on a hilltop. The plaza was filled with a Christmas market, of course. Montpellier’s very own Arc de Triomphe stands at one end of the plaza, and the Chateau d’Eau (water tower) at the other end. This detail is part of the latter monument.
The water tower (of which I have shared photographs previously) sits at the end point of an ancient Roman aqueduct. It features the columns you see on the left, but look more closely and there is some wonderful wrought iron work – with a combination of very sharp pointed shapes and soft, gentle curves.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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