The Pena Palace sits on the top of a ridge above Sintra, Portugal, a short train ride from Lisbon. (You do have to get to the ridge from the train station, perhaps a story for another time.) It is a remarkable structure that appears like something from a fantasy, especially in the foggy and rainy conditions while we were there. The palace and its turrets and towers are painted in brilliant colors.
Continue reading Detail, Pena Palace
I thought about calling this “Gathering Of Segway Creatures Before The Giant Glowing Orb,” but that seemed to be going too far. A bit too far, anyway. Last night I joined my fellow night photographers from Studio Nocturne SF for a bit of camaraderie and photography in the San Francisco night. We started at the iconic Alamo Park (the location of the oft-photographed “painted ladies”), and I’m either embarrassed or proud to say that it was the first time I have gone there with a camera. I can also report that I did not photograph the “ladies,” instead wandering around with a tripod-less camera in the dark and photographing other things.
We then adjourned to the waterfront, where we spent some time photographing in another (justifiably) popular location. This light sculpture and some other features cast interesting and varying kinds of colored light on the scene, and I spent quite a bit of time searching out and photographing subjects that were transformed by the colorful light. But when these folks suddenly showed up I quickly switched my attention them, and I managed to squeeze of one handheld photograph before they disappeared into the night once again. As is so often the case, night photography brings some unusual events and experiences. Shortly after this, as I walked along a deserted walkway on a pier, three police officers suddenly appeared, rushing towards me. Fortunately, they weren’t interested in me and they passed right by. Within minutes there were a half-dozen police cruisers and two fire trucks in the neighborhood. San Francisco — never a dull moment…
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Calder and Lunch, A Juxtaposition. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.
A surprising juxtaposition between the “Calder: Hypermobility” exhibit and a nearby restaurant at the Whitney Museum, New York
During an early July visit to New York City we found time to wander over to the new Whitney Museum to view several exhibits, including a special exhibit of Alexander Calder’s mobile and similar pieces. Not only did it include a large number of his pieces, all assembled in one room, but the museum arranged to put many of the pieces in motion, as they were intended to be experienced. Some of the mobiles depend upon shifting air currents, but several of the other pieces are actually motorized. The exhibit was fascinating in many ways — the setting-in-motion was part of it, but also the presentation of so many of these pieces one space was unusual.
Something else was unusual about the exhibit, and I found it a bit jarring. The Calder exhibit was in a large space on the top gallery floor. Many of the Calder pieces are enhanced by lighting that reveals the changing shapes of their shadows as they move, and monochromatic background walls help isolate the objects so that their forms are more clearly visible. But one wall turned out to hold a huge opening to an adjacent eating area, with bustling waiters, loudly conversing guests, the clanking of dishes and silver way, and big windows open to the brilliant glare of Manhattan. The juxtaposition was so odd and jarring that I just had to make a photograph.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman, Sculpture Park, East River. New York City. October 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.
A woman sits in a blue chair on a lawn at the Socrates Sculpture Park along the East River, New York
On this lovely, clouded day of light rain and muted colors, we traveled to the Socrates Sculpture Park along the East River, across the water from Manhattan. Our daughter-in-law Lia Lowenthal has a piece installed at the park that we wanted to get to see. I had not visited this place before, and it is quite an interesting site — partly because of its shoreline location, partly because it provides an interesting juxtaposition of urban and natural, partly because there is an active sculpture studio next door, and partly because of the works installed there.
After looking at the art I began to look at the environment with photography in mind. I saw this woman sitting on a piece of sculpture in the middle of this worn looking lawn, with the upper Manhattan skyline across the water, and everything in this soft, flat light — and I thought it made a photograph.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.