Recently I went through my archives to see just how many photographs of dried mud I have made over the years. It is a lot! There are perhaps a few dozen finished photographs of this subject that I have shared publicly. But there are scores of them sitting in my unprocessed raw file archives. This one, in fact, is one that I “discovered” during this search, and I’m now sharing it for the first time.
Continue reading Mud Patterns
The photograph comes from a trip some years back that took me to Capitol Reef National Park. Although it was challenging to find the right composition, I wanted to get a photograph of this bend in an anonymous red rock canyon where trees were tucked into the edge of hollowed out rock. The feature is fascinating, but it is more or less unmarked, like so many similar features in this landscape.
Continue reading A Red Rock Canyon
This photograph contains the quintessential color palette of the Southwest in general and this Utah landscape in particular: red rock, green trees (here starting to pick up the golden tones of autumn), blue sky, and brown water. I made the photograph while looking for scenes of non-iconic subjects at Capitol Reef.
I ended up here partway through a long trip to photograph in Southern Utah. I photographed in Grand Staircase-Escalante National Monument, Capitol Reef and Zion National Parks, and a few other more remote areas. This visit was some years ago, and I would like to return and investigate more of Capitol Reef National Park, a place where it seems that many of the most interesting features are some distance from the main tourist areas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This is an example of what you can find when you focus on “the other stuff” — things other than the main subject that you came for. The spectacular and other-worldly summits of Capitol Reef lie out of sight behind my camera position, I turned my camera 180 degrees the other way to encompass this scene. We see a vast (mostly) sandstone Utah landscape, with lenticular clouds above and autumn cottonwood trees lining a stream in the bottom of the valley.
This sky is also an example of that “other stuff” concept. We initially stopped at this point just before sunrise when those clouds were spectacularly colored by red and orange dawn light. That scene was remarkable, but here the sky color has faded almost completely, and the darker tones contrast with the red rock color.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.