We were out for a walk in Shrewsbury, and as we crossed a bridge over the River Severn we spotted this swan family in the water. The trick is usually to get critters to align themselves with the rest of the scene in a way that is compositionally interesting and makes them the primarily focus. Darned birds don’t always cooperate! But this time I only had to wait a moment — and then photograph quickly — for them to cross the river in the foreground.
Continue reading River Severn Swans
I am definitely not a fisherman. I’ve tried, both in the mountains and along the Pacific coast. But I’ve had few successes and many failures. (Eventually I decided that I did not need to carry fishing gear as an excuse to wander along waterways. A camera is a fine substitute!) But evenI have heard of the historic reputation of the fishing in Scotland’s highland streams and rivers. In my mind, a scene like this is central to that reputation — even I can imagine myself spending a day out in the beautiful landscape, wading in these waters.
Continue reading Highland Stream
while there is fall color in Yosemite, it is not widespread, and it comes in bits and pieces rather than hillsides blanketed in color. This scene is a case in point. The great majority of the trees here along the Merced River are conifers. But deciduous trees are scattered though the forest. Here they include three major sources of fall color in the Valley: A big leaf maple, a dogwood, and a black oak.
While working on this photograph I had a not-unusual “Yosemite experience.” When I made the exposure I was shooting across the Merced River into what seemed like an inaccessible forest. But as I post-processed the file and looked closely I discovered that there were old electrical wires hidden among the trees! The Valley has been populated for centuries, and few places there can be said to be true wilderness at this point.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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While I wrote elsewhere that this end-of-October fall color visit to Yosemite focused on more intimate landscapes, this one might seem like an exception, given that the trees are across the river and there is a rather large cliff beyond. OK, it isn’t exactly “intimate by the usual standards…” but if you knew what I left out of this photograph you might forgive me! This is a spot in the Valley where you might typically photograph some of those larger, monumental subjects.
I had passed this spot without stopping earlier in the day, so when I came by again later on I was prepared to pause and photograph. This is a narrower section of the Valley, and those trees grow on the opposite bank of the Merced River. We see several of the sources of Yosemite autumn color here including the golden-brown black oak trees and the brilliant yellow big leaf maples.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.