On this sunny February day, we stopped briefly at a wetland area in California’s Central Valley, breaking up the long drive home from Death Valley National Park. We had actually departed the park one day earlier, stopping overnight and then continuing the next morning. Shortening the drive this way made it easier to get here before sunset. We found geese in a pond, and paused to make some photos before continuing on home.
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Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.
I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Sandhill cranes have the remarkable ability to look both comically clumsy (watch them land!) and remarkably graceful. This pair managed to produce the latter impression as they crossed paths in a shallow wetland pond. It helped that they were between me and the sun, placing their reflection in the water in front of them.
Sandhill cranes are remarkable birds and have become my favorites among the migratory birds I photograph . They are here between autumn and late winter in large numbers. Their characteristic cry is one of the defining features of my winter photography experience. One of the best moments comes when they return at dusk. I hear their cries before I see them, but soon hundreds arrive and land for the night.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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Cranes, Dawn Light. © Copyright 2022.G Dan Mitchell.
A flock of lesser sandhill cranes in dawn light, reflected in a wetland pool on a late-winter morning.
By the time most of you see this photograph, there is a very good chance that these birds will have departed for the season. Every autumn, all sorts of wonderful migratory birds arrive in California from points north. Among my favorites are the geese, especially Ross’s and snow geese, and the sandhill cranes. They come to many places around the state, in particular in locations in California’s Great Central Valley. But, like typical tourists, they don’t stay all year, and before spring arrives they depart for locations as distant as the arctic shoreline.
I photographed these cranes on a late-February morning just as the first sunlight arrived. The sky was still red with dawn light, and for a few moments that color infused the entire landscape. A bit of valley fog softened the light just a bit. The birds stood in the shallow wetland pond for a bit and soon began flying out in small groups.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Flickr | Facebook | Email
Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.